The Lost Voices Project

Companion resource to Les livres de Chansons Nouvelles de Nicolas Du Chemin (1549–1568), hosted by the Centre d’Études Supérieures de la Renaissance in Tours, France

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Musiciens qui chantez à plaisir

Guyon, Jean

DC0508

Text

Phrase Number Measures Rhyme Phrase
1 1–6 a Musiciens qui chantez à plaisir,
2 5–13 b Si vous voulez faire valoir la notte,
3 14–19 a Prenez un ton tout doulx et à loisir,
4 18–27 b En escoutant ce que le chant denotte,
5 27–32 b Accordez vous ainsi que la linotte,
6 32–39 c Qui prent plaisir à son chant gratieux,
7 39–44 d Soyez expers d’oreilles, et des yeulx,
8 43–52 e Ou aultrement il vauldroit mieulx se taire:
9 52–56 d Mais je vous pri que vous soyez soigneux,
10 55–65 e De ne chanter si vous n’avez à boire.

Music

Observations

Phrase Measures Analyst Details Nanopublication
1 1–1 Herdman, Jessica Expand Nanopub
Analysis ID
5123
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
HR Dactyll
1 1–1 Romey, John Expand Nanopub
Analysis ID
7969
Analyst
Romey, John
Is Cadence?
No
Other Presentation Type
HR Dactyll
1 1–5 Holscher, Joshua Expand Nanopub
Analysis ID
5119
Analyst
Holscher, Joshua
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Superius
Voice Role (Lower Voice 1 NIM)
Contratenor
Voice Role (Upper Voice 2 NIM)
Tenor
Voice Role (Lower Voice 2 NIM)
Bassus
1 1–6 Romey, John Expand Nanopub
Analysis ID
7970
Analyst
Romey, John
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Superius
Voice Role (Lower Voice 1 NIM)
Contratenor
Voice Role (Upper Voice 2 NIM)
Tenor
Voice Role (Lower Voice 2 NIM)
Bassus
1 1–6 Herdman, Jessica Expand Nanopub
Analysis ID
5125
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Superius
Voice Role (Lower Voice 1 NIM)
Contratenor
Voice Role (Upper Voice 2 NIM)
Tenor
Voice Role (Lower Voice 2 NIM)
Bassus
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Tenor
1 2–3 Herdman, Jessica Expand Nanopub
Analysis ID
5124
Analyst
Herdman, Jessica
Is Cadence?
No
1 2–3 Holscher, Joshua Expand Nanopub
Analysis ID
5120
Analyst
Holscher, Joshua
Is Cadence?
No
1 4–5 Herdman, Jessica Expand Nanopub
Analysis ID
5126
Analyst
Herdman, Jessica
Is Cadence?
No
1 4–5 Holscher, Joshua Expand Nanopub
Analysis ID
5121
Analyst
Holscher, Joshua
Is Cadence?
No
1 5–6 Holscher, Joshua Expand Nanopub
Analysis ID
5122
Analyst
Holscher, Joshua
Is Cadence?
Yes
Cadence Kind
Plagal
Cadence Final Tone
D
1 5–6 Herdman, Jessica Expand Nanopub
Analysis ID
5127
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Plagal
Cadence Final Tone
D
2 5–9 Romey, John Expand Nanopub
Analysis ID
7971
Analyst
Romey, John
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Bassus
Voice Role (Comes 2)
Tenor
Voice Role (@5)
Superius
Voice Role (Above)
Superius
Text Treatment
Text Overlap
2 5–9 Herdman, Jessica Expand Nanopub
Analysis ID
5134
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Bassus
Voice Role (Comes 2)
Tenor
Voice Role (@5)
Superius
Voice Role (Above)
Superius
Text Treatment
Text Overlap

Comments

Text overlap: T and B continue with text from phrase 1, while Ct and S enter with text from phrase 2 (mm 5-6).

2 5–6 Romey, John Expand Nanopub
Analysis ID
7972
Analyst
Romey, John
Is Cadence?
Yes
Cadence Kind
Plagal
Cadence Final Tone
D
2 5–6 Holscher, Joshua Expand Nanopub
Analysis ID
5128
Analyst
Holscher, Joshua
Is Cadence?
No
Text Treatment
Text Overlap
2 5–9 Holscher, Joshua Expand Nanopub
Analysis ID
5129
Analyst
Holscher, Joshua
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Bassus
Voice Role (Comes 2)
Tenor
Voice Role (@5)
Superius
Voice Role (Above)
Superius
2 7–8 Herdman, Jessica Expand Nanopub
Analysis ID
5135
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
PEn Stacked
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Superius
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor
2 7–8 Romey, John Expand Nanopub
Analysis ID
7973
Analyst
Romey, John
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Tenor
Other Counterpoint
Invertible Counterpoint, Stretto Fuga

Comments

Imitation in S breaks the time interval

2 7–8 Holscher, Joshua Expand Nanopub
Analysis ID
5130
Analyst
Holscher, Joshua
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Tenor
Voice Role (@1 or @8)
Contratenor
Voice Role (@4)
Tenor
Voice Role (Above)
Contratenor
Voice Role (Below)
Tenor
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
2 9–10 Holscher, Joshua Expand Nanopub
Analysis ID
5131
Analyst
Holscher, Joshua
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Superius
Voice Role (@1 or @8)
Bassus
Voice Role (@5)
Superius
Voice Role (Above)
Superius
Voice Role (Below)
Bassus
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
2 9–10 Herdman, Jessica Expand Nanopub
Analysis ID
5136
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (@5)
Superius
Voice Role (Above)
Superius
Voice Role (Below)
Tenor
2 9–10 Romey, John Expand Nanopub
Analysis ID
7974
Analyst
Romey, John
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Tenor
Voice Role (@5)
Superius
Voice Role (Above)
Superius
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
2 10–11 Holscher, Joshua Expand Nanopub
Analysis ID
5132
Analyst
Holscher, Joshua
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Contratenor
Voice Role (@1 or @8)
Tenor
Voice Role (@5)
Contratenor
Voice Role (Above)
Contratenor
2 10–11 Herdman, Jessica Expand Nanopub
Analysis ID
5137
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Contratenor
Voice Role (@1 or @8)
Tenor
Voice Role (@5)
Contratenor
Voice Role (Above)
Contratenor
Other Counterpoint
Stretto Fuga
2 10–11 Romey, John Expand Nanopub
Analysis ID
7975
Analyst
Romey, John
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Contratenor
Voice Role (@1 or @8)
Tenor
Voice Role (@5)
Contratenor
2 11–12 Herdman, Jessica Expand Nanopub
Analysis ID
5138
Analyst
Herdman, Jessica
Is Cadence?
No
2 12–13 Romey, John Expand Nanopub
Analysis ID
7976
Analyst
Romey, John
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
2 12–13 Holscher, Joshua Expand Nanopub
Analysis ID
5133
Analyst
Holscher, Joshua
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
2 12–13 Herdman, Jessica Expand Nanopub
Analysis ID
5139
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
3 14–15 Romey, John Expand Nanopub
Analysis ID
7977
Analyst
Romey, John
Is Cadence?
No
Other Presentation Type
HR Stagger
3 14–15 Holscher, Joshua Expand Nanopub
Analysis ID
5141
Analyst
Holscher, Joshua
Is Cadence?
No
Other Presentation Type
HR Stagger
3 14–17 Herdman, Jessica Expand Nanopub
Analysis ID
5142
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
HR Stagger
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

Varied repeat: The opening of the phrase 3 is presented in staggered homorhythm, including the T and B voices, unlike the opening of phrase 1.

3 14–19 Holscher, Joshua Expand Nanopub
Analysis ID
5140
Analyst
Holscher, Joshua
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

S/Ct pair begins in HR with T/B.

3 14–19 Romey, John Expand Nanopub
Analysis ID
7978
Analyst
Romey, John
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

RESTS S/CT - CT/T ADDED 14-15

4 18–26 Herdman, Jessica Expand Nanopub
Analysis ID
5144
Analyst
Herdman, Jessica
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
4 18–27 Romey, John Expand Nanopub
Analysis ID
7979
Analyst
Romey, John
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
4 18–27 Holscher, Joshua Expand Nanopub
Analysis ID
5143
Analyst
Holscher, Joshua
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?

Comments

Bassus completes cadence and sustains.

5 27–28 Romey, John Expand Nanopub
Analysis ID
7981
Analyst
Romey, John
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Contratenor
5 27–28 Holscher, Joshua Expand Nanopub
Analysis ID
5145
Analyst
Holscher, Joshua
Is Cadence?
No
Other Presentation Type
HR Stagger
5 27–28 Romey, John Expand Nanopub
Analysis ID
7980
Analyst
Romey, John
Is Cadence?
No
Other Presentation Type
HR Stagger
5 28–30 Romey, John Expand Nanopub
Analysis ID
7982
Analyst
Romey, John
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Tenor
5 28–30 Holscher, Joshua Expand Nanopub
Analysis ID
5146
Analyst
Holscher, Joshua
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Tenor
Voice Role (@1 or @8)
Bassus
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor
Voice Role (Below)
Bassus
5 29–31 Herdman, Jessica Expand Nanopub
Analysis ID
5149
Analyst
Herdman, Jessica
Is Cadence?
No
5 30–32 Romey, John Expand Nanopub
Analysis ID
7983
Analyst
Romey, John
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
D
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor

Comments

Ct/B Silent

5 31–32 Herdman, Jessica Expand Nanopub
Analysis ID
5150
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
D
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
5 31–32 Holscher, Joshua Expand Nanopub
Analysis ID
5147
Analyst
Holscher, Joshua
Is Cadence?
No
6 32–33 Romey, John Expand Nanopub
Analysis ID
7984
Analyst
Romey, John
Is Cadence?
No
Other Presentation Type
HR Stagger
6 32–33 Herdman, Jessica Expand Nanopub
Analysis ID
5155
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
HR Stagger
6 32–33 Holscher, Joshua Expand Nanopub
Analysis ID
5151
Analyst
Holscher, Joshua
Is Cadence?
No
Other Presentation Type
HR Stagger
6 34–36 Herdman, Jessica Expand Nanopub
Analysis ID
5156
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Contratenor
Voice Role (Above)
Contratenor
6 34–36 Herdman, Jessica Expand Nanopub
Analysis ID
5157
Analyst
Herdman, Jessica
Is Cadence?
No
Text Treatment
Text Representation

Comments

"Plaisir" presented in long melisma in S.

6 34–36 Romey, John Expand Nanopub
Analysis ID
7985
Analyst
Romey, John
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Contratenor
6 34–36 Holscher, Joshua Expand Nanopub
Analysis ID
5152
Analyst
Holscher, Joshua
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Contratenor
Voice Role (@1 or @8)
Contratenor
6 36–37 Holscher, Joshua Expand Nanopub
Analysis ID
5153
Analyst
Holscher, Joshua
Is Cadence?
No
6 37–39 Holscher, Joshua Expand Nanopub
Analysis ID
5154
Analyst
Holscher, Joshua
Is Cadence?
Yes
Cadence Kind
CadInCad
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
6 37–39 Romey, John Expand Nanopub
Analysis ID
7986
Analyst
Romey, John
Is Cadence?
Yes
Cadence Kind
CadInCad
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
6 38–39 Herdman, Jessica Expand Nanopub
Analysis ID
5158
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
7 39–44 Holscher, Joshua Expand Nanopub
Analysis ID
5159
Analyst
Holscher, Joshua
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

S/Ct NIM pair is harmonized with Ct/B at opening of phrase.

7 39–44 Romey, John Expand Nanopub
Analysis ID
7987
Analyst
Romey, John
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
1
7 40–43 Herdman, Jessica Expand Nanopub
Analysis ID
5160
Analyst
Herdman, Jessica
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
3
Repeat, Exact or Varied?
8 43–52 Holscher, Joshua Expand Nanopub
Analysis ID
5161
Analyst
Holscher, Joshua
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
2
Repeat, Exact or Varied?
8 43–52 Herdman, Jessica Expand Nanopub
Analysis ID
5162
Analyst
Herdman, Jessica
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
4
Repeat, Exact or Varied?
8 43–52 Romey, John Expand Nanopub
Analysis ID
7988
Analyst
Romey, John
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
2
Repeat, Exact or Varied?
8 50–52 Romey, John Expand Nanopub
Analysis ID
7989
Analyst
Romey, John
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
9 52–53 Herdman, Jessica Expand Nanopub
Analysis ID
5168
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Superius
Voice Role (@5)
Superius
Voice Role (Above)
Superius
Voice Role (Below)
Bassus
9 52–53 Romey, John Expand Nanopub
Analysis ID
7990
Analyst
Romey, John
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Superius
Voice Role (@5)
Bassus
Voice Role (Below)
Bassus
9 52–52 Herdman, Jessica Expand Nanopub
Analysis ID
5169
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (@4)
Bassus
Voice Role (Below)
Bassus

Comments

FI is an inversion of PEn (of mm 52-53).

9 52–53 Holscher, Joshua Expand Nanopub
Analysis ID
5163
Analyst
Holscher, Joshua
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (@5)
Superius
Voice Role (Above)
Superius
9 53–54 Holscher, Joshua Expand Nanopub
Analysis ID
5164
Analyst
Holscher, Joshua
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (@4)
Bassus
Voice Role (Below)
Bassus
9 54–55 Herdman, Jessica Expand Nanopub
Analysis ID
5170
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
D
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
9 54–55 Romey, John Expand Nanopub
Analysis ID
7992
Analyst
Romey, John
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
D
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
9 54–55 Holscher, Joshua Expand Nanopub
Analysis ID
5166
Analyst
Holscher, Joshua
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
D
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
9 55–56 Holscher, Joshua Expand Nanopub
Analysis ID
5167
Analyst
Holscher, Joshua
Is Cadence?
Yes
Cadence Kind
Phrygian
Cadence Final Tone
D
Cadence Role (Cantizans)
Contratenor
Cadence Role (Tenorizans)
Bassus
Cadence Altered
CAD NDLT
9 55–55 Romey, John Expand Nanopub
Analysis ID
7993
Analyst
Romey, John
Is Cadence?
No
Other Presentation Type
HR Fauxbourdon
9 55–55 Holscher, Joshua Expand Nanopub
Analysis ID
5165
Analyst
Holscher, Joshua
Is Cadence?
No
Other Presentation Type
HR Fauxbourdon
10 55–56 Herdman, Jessica Expand Nanopub
Analysis ID
5176
Analyst
Herdman, Jessica
Is Cadence?
No
Text Treatment
Text Overlap

Comments

T and B continue with text from phrase 9, while Ct and S begin text from phrase 10.

10 55–56 Holscher, Joshua Expand Nanopub
Analysis ID
5171
Analyst
Holscher, Joshua
Is Cadence?
No
Text Treatment
Text Overlap
10 56–56 Romey, John Expand Nanopub
Analysis ID
7963
Analyst
Romey, John
Is Cadence?
No
Text Treatment
Text Overlap
10 59–60 Herdman, Jessica Expand Nanopub
Analysis ID
5177
Analyst
Herdman, Jessica
Is Cadence?
No
10 59–61 Romey, John Expand Nanopub
Analysis ID
7964
Analyst
Romey, John
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
10 60–61 Holscher, Joshua Expand Nanopub
Analysis ID
5173
Analyst
Holscher, Joshua
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
10 61–65 Herdman, Jessica Expand Nanopub
Analysis ID
5178
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
HR Dance
Text Treatment
Text Representation

Comments

Text representation: shift to triple meter, homorhythmic dance with reiteration of 'si vous n'avez à boire' (joyous drinking?).

10 61–65 Romey, John Expand Nanopub
Analysis ID
7966
Analyst
Romey, John
Is Cadence?
No
Other Presentation Type
HR Dance
10 61–65 Romey, John Expand Nanopub
Analysis ID
7967
Analyst
Romey, John
Is Cadence?
No
Text Treatment
Text Representation

Comments

triple meter = drinking song?

10 61–65 Romey, John Expand Nanopub
Analysis ID
7965
Analyst
Romey, John
Is Cadence?
No
Other Presentation Type
HR Dance
10 61–63 Holscher, Joshua Expand Nanopub
Analysis ID
5172
Analyst
Holscher, Joshua
Is Cadence?
No
Other Presentation Type
HR Dance
10 64–65 Holscher, Joshua Expand Nanopub
Analysis ID
5174
Analyst
Holscher, Joshua
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
10 64–65 Romey, John Expand Nanopub
Analysis ID
7968
Analyst
Romey, John
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
10 64–65 Herdman, Jessica Expand Nanopub
Analysis ID
5179
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
CadInCad
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor

Comments

Final cadence authentic; preceding cadence mm 60-61, authentic S/T to G.