The Lost Voices Project

Companion resource to Les livres de Chansons Nouvelles de Nicolas Du Chemin (1549–1568), hosted by the Centre d’Études Supérieures de la Renaissance in Tours, France

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J’ay d’un costé l’honneur tant estimé

Du Tertre, Etienne

DC0119

Text

Phrase Number Measures Rhyme Phrase
1 1–5 a J’ay d’un costé l’honneur tant estimé
2 5–12 b Devant les yeulx, lequel je vueil avoir.
3 1–5 a J’ay d’autre part un amy tant aymé
4 5–13 b Dedans mon coeur, que je n’ay le povoir
5 13–16 b De l’en oster, et si ne les puis voir
6 16–20 c Tous deux en moy, dont fort je me tourmente.
7 21–26 c Las je ne sçay duquel me rendre absente.
8 26–31 d Car l’un m’est doulx et si pres de mon coeur,
9 31–37 c L’autre un chascun si tresfort il contente
10 36–45 d Qu’encontre moy ce croy sera vainqueur.

Music

Observations

Phrase Measures Analyst Details Nanopublication
1 2–5 Quinn, Patrick Expand Nanopub
Analysis ID
1208
Analyst
Quinn, Patrick
Is Cadence?
No
1 2–3 Quinn, Patrick Expand Nanopub
Analysis ID
1205
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (Above)
Tenor
1 2–5 Herdman, Jessica Expand Nanopub
Analysis ID
1202
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (@5)
Superius
Voice Role (Above)
Superius
1 4–5 Quinn, Patrick Expand Nanopub
Analysis ID
1207
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Upper Voice 1 NIM)
Superius
Voice Role (Lower Voice 1 NIM)
Tenor
Voice Role (Upper Voice 2 NIM)
Bassus
Voice Role (@4)
Bassus
Voice Role (Below)
Bassus
Other Counterpoint
Stretto Fuga

Comments

T @ 2 below S

1 5–6 Herdman, Jessica Expand Nanopub
Analysis ID
1203
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
C
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
1 6–6 Quinn, Patrick Expand Nanopub
Analysis ID
1209
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
C
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
Cadence Altered
Incomplete

Comments

No B resolution

2 6–8 Quinn, Patrick Expand Nanopub
Analysis ID
1214
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Tenor
Voice Role (Comes 2)
Superius
Voice Role (@5)
Bassus
Voice Role (Below)
Bassus
2 6–8 Herdman, Jessica Expand Nanopub
Analysis ID
1210
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Superius
Voice Role (@1 or @8)
Tenor
Voice Role (Above)
Tenor
Other Counterpoint
Stretto Fuga
2 7–9 Quinn, Patrick Expand Nanopub
Analysis ID
1215
Analyst
Quinn, Patrick
Is Cadence?
No

Comments

3/5 in S/B and 3/8 in Ct/B

2 10–12 Quinn, Patrick Expand Nanopub
Analysis ID
1217
Analyst
Quinn, Patrick
Is Cadence?
No

Comments

3/8 in T/B, Bass descent too fast, S descent too slow for ROM

2 10–11 Quinn, Patrick Expand Nanopub
Analysis ID
1218
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Contratenor
Voice Role (Lower Voice 1 NIM)
Tenor
Voice Role (Upper Voice 2 NIM)
Bassus
Voice Role (Lower Voice 2 NIM)
Superius
Other Counterpoint
Invertible Counterpoint
2 12–13 Herdman, Jessica Expand Nanopub
Analysis ID
1213
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
F
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
2 12–13 Quinn, Patrick Expand Nanopub
Analysis ID
1219
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
F
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
3 1–7 Quinn, Patrick Expand Nanopub
Analysis ID
1221
Analyst
Quinn, Patrick
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
3 1–6 Herdman, Jessica Expand Nanopub
Analysis ID
1220
Analyst
Herdman, Jessica
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
4 6–14 Quinn, Patrick Expand Nanopub
Analysis ID
1223
Analyst
Quinn, Patrick
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
4 6–13 Herdman, Jessica Expand Nanopub
Analysis ID
1222
Analyst
Herdman, Jessica
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
5 14–16 Herdman, Jessica Expand Nanopub
Analysis ID
1224
Analyst
Herdman, Jessica
Is Cadence?
No
5 15–16 Quinn, Patrick Expand Nanopub
Analysis ID
1228
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Contratenor
Voice Role (Lower Voice 1 NIM)
Tenor
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Bassus
5 15–17 Quinn, Patrick Expand Nanopub
Analysis ID
1230
Analyst
Quinn, Patrick
Is Cadence?
No
5 16–17 Herdman, Jessica Expand Nanopub
Analysis ID
1225
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
C
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
Cadence Altered
Inverted, Incomplete
5 16–17 Quinn, Patrick Expand Nanopub
Analysis ID
1229
Analyst
Quinn, Patrick
Is Cadence?
No
6 17–18 Quinn, Patrick Expand Nanopub
Analysis ID
1231
Analyst
Quinn, Patrick
Is Cadence?
No

Comments

3/8 in S/B

6 18–20 Quinn, Patrick Expand Nanopub
Analysis ID
1233
Analyst
Quinn, Patrick
Is Cadence?
No
6 21–21 Quinn, Patrick Expand Nanopub
Analysis ID
1235
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Plagal
Cadence Final Tone
D
7 22–24 Herdman, Jessica Expand Nanopub
Analysis ID
1236
Analyst
Herdman, Jessica
Is Cadence?
No
Other Formulas
Romanesca
7 22–24 Quinn, Patrick Expand Nanopub
Analysis ID
1240
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
HR Dactyll
Text Treatment
Text Pause
7 22–22 Herdman, Jessica Expand Nanopub
Analysis ID
1239
Analyst
Herdman, Jessica
Is Cadence?
No
Text Treatment
Text Representation

Comments

Text representation: With "las" (helas) there is a shift to Eflat in both Ct and B, with a parallel semitone movement from D to Eflat.

7 25–26 Herdman, Jessica Expand Nanopub
Analysis ID
1237
Analyst
Herdman, Jessica
Is Cadence?
No
7 26–27 Herdman, Jessica Expand Nanopub
Analysis ID
1238
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
8 27–29 Herdman, Jessica Expand Nanopub
Analysis ID
1241
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
HR Stagger
8 27–32 Herdman, Jessica Expand Nanopub
Analysis ID
1242
Analyst
Herdman, Jessica
Is Cadence?
No
8 31–32 Herdman, Jessica Expand Nanopub
Analysis ID
1243
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
F
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
9 32–38 Herdman, Jessica Expand Nanopub
Analysis ID
1245
Analyst
Herdman, Jessica
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
9
Repeat, Exact or Varied?

Comments

Varied opening rhythm.

9 32–32 Herdman, Jessica Expand Nanopub
Analysis ID
1244
Analyst
Herdman, Jessica
Is Cadence?
No
Text Treatment
Text Pause

Comments

All voices pause before returning to musical material from opening (i.e. phrases 1-2).

10 38–45 Herdman, Jessica Expand Nanopub
Analysis ID
1246
Analyst
Herdman, Jessica
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
10
Repeat, Exact or Varied?

Comments

Varied opening rhythm.