The Lost Voices Project

Companion resource to Les livres de Chansons Nouvelles de Nicolas Du Chemin (1549–1568), hosted by the Centre d’Études Supérieures de la Renaissance in Tours, France

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Comme l’aymant par sa vertu latente

James, Jo.

DC0112

Text

Phrase Number Measures Rhyme Phrase
1 1–8 a Comme l’aymant par sa vertu latente,
2 8–15 a Attrait le fer, vostre oeil attire et tente
3 15–22 b Mon coeur navré qui partout le veult suyvre.
4 22–30 b Prenez le corps, car sans coeur ne peult vivre.
5 28–43 a Tout est à vous, si vous estes contente.

Music

Observations

Phrase Measures Analyst Details Nanopublication
1 1–6 Herdman, Jessica Expand Nanopub
Analysis ID
764
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Superius
Voice Role (Comes 2)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (@5)
Contratenor
Voice Role (Above)
Superius
Voice Role (Below)
Tenor
1 1–5 Quinn, Patrick Expand Nanopub
Analysis ID
766
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Superius
Voice Role (Comes 2)
Tenor
Voice Role (@1 or @8)
Superius
Voice Role (@5)
Contratenor
Voice Role (Above)
Contratenor
Voice Role (Below)
Tenor

Comments

Dactyllic rhythm, not HR. S at 8 above, T at 8 below

1 1–6 Apgar, Jamie Expand Nanopub
Analysis ID
762
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Superius
Voice Role (Comes 2)
Tenor
Voice Role (@1 or @8)
Superius
Voice Role (@5)
Contratenor
Voice Role (Above)
Contratenor
Voice Role (Below)
Tenor

Comments

S imitates at 8 above, T at 8 below. An entire breve between PEn entries characterizes the imitative strategy in the whole piece.

1 3–3 Quinn, Patrick Expand Nanopub
Analysis ID
767
Analyst
Quinn, Patrick
Is Cadence?
No
1 4–6 Quinn, Patrick Expand Nanopub
Analysis ID
770
Analyst
Quinn, Patrick
Is Cadence?
No
1 5–6 Quinn, Patrick Expand Nanopub
Analysis ID
768
Analyst
Quinn, Patrick
Is Cadence?
No
1 7–8 Apgar, Jamie Expand Nanopub
Analysis ID
763
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
D
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
1 7–8 Herdman, Jessica Expand Nanopub
Analysis ID
765
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
D
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
1 7–8 Quinn, Patrick Expand Nanopub
Analysis ID
769
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
D
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor

Comments

Phr A Ct/B before Auth D

2 8–15 Apgar, Jamie Expand Nanopub
Analysis ID
771
Analyst
Apgar, Jamie
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

This repeat of Phrase 1 material has some notes taken out, but also some extra bits of counterpoint thrown in.

2 8–12 Quinn, Patrick Expand Nanopub
Analysis ID
774
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Contratenor
Voice Role (Comes 2)
Tenor
Voice Role (@1 or @8)
Contratenor
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor
Voice Role (Below)
Tenor
2 8–14 Herdman, Jessica Expand Nanopub
Analysis ID
772
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Superius
Voice Role (Comes 2)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (@5)
Contratenor
Voice Role (Above)
Superius
Voice Role (Below)
Tenor
2 9–13 Quinn, Patrick Expand Nanopub
Analysis ID
776
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Superius
Voice Role (Comes 2)
Tenor
Voice Role (@1 or @8)
Contratenor
Voice Role (Above)
Contratenor
Voice Role (Below)
Tenor

Comments

Ct @ 8 above, S @ 8 above, T @ 8 below

2 9–10 Quinn, Patrick Expand Nanopub
Analysis ID
775
Analyst
Quinn, Patrick
Is Cadence?
No
2 12–12 Quinn, Patrick Expand Nanopub
Analysis ID
777
Analyst
Quinn, Patrick
Is Cadence?
No
2 14–15 Quinn, Patrick Expand Nanopub
Analysis ID
778
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
D
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor

Comments

Phr A Ct/B before Auth D

2 14–15 Herdman, Jessica Expand Nanopub
Analysis ID
773
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
D
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
3 15–17 Apgar, Jamie Expand Nanopub
Analysis ID
779
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
HR Stagger
3 15–16 Quinn, Patrick Expand Nanopub
Analysis ID
788
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

S early

3 16–17 Apgar, Jamie Expand Nanopub
Analysis ID
780
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Phrygian
Cadence Final Tone
E
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
3 17–19 Quinn, Patrick Expand Nanopub
Analysis ID
789
Analyst
Quinn, Patrick
Is Cadence?
No
3 17–21 Herdman, Jessica Expand Nanopub
Analysis ID
784
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Tenor
Voice Role (Lower Voice 1 NIM)
Bassus
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Contratenor
3 17–20 Quinn, Patrick Expand Nanopub
Analysis ID
790
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Tenor
Voice Role (Lower Voice 1 NIM)
Bassus
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Contratenor
3 17–19 Herdman, Jessica Expand Nanopub
Analysis ID
785
Analyst
Herdman, Jessica
Is Cadence?
No
3 17–20 Apgar, Jamie Expand Nanopub
Analysis ID
781
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Tenor
Voice Role (Lower Voice 1 NIM)
Bassus
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Contratenor

Comments

Both pairs of NIM voices are in 3rds.

3 18–19 Quinn, Patrick Expand Nanopub
Analysis ID
791
Analyst
Quinn, Patrick
Is Cadence?
No
3 19–21 Apgar, Jamie Expand Nanopub
Analysis ID
782
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (@5)
Bassus
Voice Role (Below)
Bassus
Other Counterpoint
Stretto Fuga
3 19–22 Herdman, Jessica Expand Nanopub
Analysis ID
786
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (@5)
Bassus
Voice Role (Below)
Bassus

Comments

FI in T>B is the NIM motive from mm 17-21.

3 20–21 Quinn, Patrick Expand Nanopub
Analysis ID
792
Analyst
Quinn, Patrick
Is Cadence?
No
3 21–22 Herdman, Jessica Expand Nanopub
Analysis ID
787
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
D
Cadence Role (Cantizans)
Tenor
Cadence Role (Tenorizans)
Contratenor
Cadence Altered
Displaced, Inverted, Evaded
3 21–22 Apgar, Jamie Expand Nanopub
Analysis ID
783
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
D
Cadence Role (Cantizans)
Tenor
Cadence Role (Tenorizans)
Contratenor
Cadence Altered
Displaced, Inverted, Evaded

Comments

Bass F is the evasion.

3 21–22 Quinn, Patrick Expand Nanopub
Analysis ID
793
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
D
Cadence Role (Cantizans)
Tenor
Cadence Role (Tenorizans)
Contratenor
Cadence Altered
Displaced, Incomplete, Evaded

Comments

No S resolution, Bass descends in scale not harmonic support

4 22–28 Herdman, Jessica Expand Nanopub
Analysis ID
799
Analyst
Herdman, Jessica
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
3
Repeat, Exact or Varied?

Comments

The first 3 mm are substantially varied from phrase 3.

4 22–23 Apgar, Jamie Expand Nanopub
Analysis ID
794
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Contratenor
Voice Role (@1 or @8)
Contratenor
4 23–24 Quinn, Patrick Expand Nanopub
Analysis ID
802
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Phrygian
Cadence Final Tone
A
Cadence Role (Cantizans)
Contratenor
Cadence Role (Tenorizans)
Bassus
Cadence Altered
Displaced
4 23–24 Apgar, Jamie Expand Nanopub
Analysis ID
795
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Phrygian
Cadence Final Tone
A
Cadence Role (Cantizans)
Contratenor
Cadence Role (Tenorizans)
Bassus
Cadence Altered
Displaced
4 24–25 Quinn, Patrick Expand Nanopub
Analysis ID
803
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

T early

4 24–26 Apgar, Jamie Expand Nanopub
Analysis ID
797
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (@5)
Bassus
Voice Role (Below)
Bassus
Other Counterpoint
Stretto Fuga
4 24–26 Apgar, Jamie Expand Nanopub
Analysis ID
796
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
HR Stagger
4 25–26 Quinn, Patrick Expand Nanopub
Analysis ID
804
Analyst
Quinn, Patrick
Is Cadence?
No
4 26–28 Quinn, Patrick Expand Nanopub
Analysis ID
805
Analyst
Quinn, Patrick
Is Cadence?
No
4 27–28 Quinn, Patrick Expand Nanopub
Analysis ID
806
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
F
Cadence Role (Cantizans)
Tenor
Cadence Role (Tenorizans)
Bassus
Cadence Altered
Displaced
4 27–28 Herdman, Jessica Expand Nanopub
Analysis ID
800
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
F
Cadence Role (Cantizans)
Tenor
Cadence Role (Tenorizans)
Bassus
Cadence Altered
Displaced
4 27–28 Apgar, Jamie Expand Nanopub
Analysis ID
798
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
F
Cadence Role (Cantizans)
Tenor
Cadence Role (Tenorizans)
Bassus
Cadence Altered
Displaced
5 28–32 Apgar, Jamie Expand Nanopub
Analysis ID
807
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Tenor
Voice Role (Comes 2)
Superius
Voice Role (@1 or @8)
Bassus
Voice Role (Above)
Superius

Comments

T imitates at unison, S at 8 above.

5 28–33 Quinn, Patrick Expand Nanopub
Analysis ID
814
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Tenor
Voice Role (Comes 2)
Superius
Voice Role (@1 or @8)
Bassus
Voice Role (Above)
Tenor
Voice Role (Below)
Bassus
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

B @ 8 below, T @ 1, S @ 8 above, T again @ 8 below

5 28–24 Herdman, Jessica Expand Nanopub
Analysis ID
809
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Tenor
Voice Role (Comes 2)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius

Comments

PEn: may also continue into another >T, as T has the full version of the PEn motive (which does not occur in the first T iteration) after Ct>B>T>S has already occurred.

5 29–29 Quinn, Patrick Expand Nanopub
Analysis ID
813
Analyst
Quinn, Patrick
Is Cadence?
No
5 30–31 Quinn, Patrick Expand Nanopub
Analysis ID
815
Analyst
Quinn, Patrick
Is Cadence?
No
5 31–34 Quinn, Patrick Expand Nanopub
Analysis ID
816
Analyst
Quinn, Patrick
Is Cadence?
No
5 31–43 Apgar, Jamie Expand Nanopub
Analysis ID
808
Analyst
Apgar, Jamie
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

Quite a few different details, but still obviously a repeat of the Phrase 1 material.

5 31–34 Herdman, Jessica Expand Nanopub
Analysis ID
810
Analyst
Herdman, Jessica
Is Cadence?
No
5 32–32 Quinn, Patrick Expand Nanopub
Analysis ID
817
Analyst
Quinn, Patrick
Is Cadence?
No

Comments

parallel 5ths Ct/T

5 32–34 Quinn, Patrick Expand Nanopub
Analysis ID
818
Analyst
Quinn, Patrick
Is Cadence?
No
5 33–34 Quinn, Patrick Expand Nanopub
Analysis ID
819
Analyst
Quinn, Patrick
Is Cadence?
No
5 34–35 Quinn, Patrick Expand Nanopub
Analysis ID
820
Analyst
Quinn, Patrick
Is Cadence?
No
5 35–36 Herdman, Jessica Expand Nanopub
Analysis ID
812
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
D
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
5 35–36 Quinn, Patrick Expand Nanopub
Analysis ID
821
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
D
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor

Comments

5 36–43 Herdman, Jessica Expand Nanopub
Analysis ID
811
Analyst
Herdman, Jessica
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
5
Repeat, Exact or Varied?

Comments

Repetition of mm 28-35, with a varied opening for 1st 2 mm.

5 36–39 Quinn, Patrick Expand Nanopub
Analysis ID
824
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Superius
Voice Role (Comes 2)
Tenor
Other Counterpoint
Invertible Counterpoint
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?

Comments

Ct and T explore different counterpoint towards m 39. T @ 5 above, S @ 8 above, T @ 8 below

5 36–38 Quinn, Patrick Expand Nanopub
Analysis ID
822
Analyst
Quinn, Patrick
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?

Comments

same as measures 8-10

5 37–38 Quinn, Patrick Expand Nanopub
Analysis ID
823
Analyst
Quinn, Patrick
Is Cadence?
No
5 38–41 Quinn, Patrick Expand Nanopub
Analysis ID
826
Analyst
Quinn, Patrick
Is Cadence?
No

Comments

3/8 in S/B

5 39–39 Quinn, Patrick Expand Nanopub
Analysis ID
825
Analyst
Quinn, Patrick
Is Cadence?
No

Comments

parallel 5ths Ct/T

5 39–41 Quinn, Patrick Expand Nanopub
Analysis ID
827
Analyst
Quinn, Patrick
Is Cadence?
No
5 40–41 Quinn, Patrick Expand Nanopub
Analysis ID
828
Analyst
Quinn, Patrick
Is Cadence?
No
5 41–42 Quinn, Patrick Expand Nanopub
Analysis ID
829
Analyst
Quinn, Patrick
Is Cadence?
No
5 42–43 Quinn, Patrick Expand Nanopub
Analysis ID
830
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
D
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor