The Lost Voices Project

Companion resource to Les livres de Chansons Nouvelles de Nicolas Du Chemin (1549–1568), hosted by the Centre d’Études Supérieures de la Renaissance in Tours, France

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L’autre jour jouer m’aloye/ Parmi ces champs

Certon, Pierre

DC0111

Text

Phrase Number Measures Rhyme Phrase
1 1–5 a L’autre jour jouer m’alloye parmy ces champs.
2 5–8 b En mon chemin rencontray un verd gallant.
3 8–10 c Il hurte à moy, et moy à luy.
4 10–15 d Il fut plus fort, il m’abatit maugré mes dentz.
5 14–22 e Maudict soit ce (moais) mauvais garson qui bat les gens.

Music

Observations

Phrase Measures Analyst Details Nanopublication
1 1–3 Apgar, Jamie Expand Nanopub
Analysis ID
721
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
HR Stagger
1 1–3 Herdman, Jessica Expand Nanopub
Analysis ID
725
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
HR Stagger
1 1–1 Quinn, Patrick Expand Nanopub
Analysis ID
718
Analyst
Quinn, Patrick
Is Cadence?
No
1 1–3 Herdman, Jessica Expand Nanopub
Analysis ID
726
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Tenor
1 1–2 Quinn, Patrick Expand Nanopub
Analysis ID
717
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor

Comments

also HR Stagger with T late

1 2–2 Quinn, Patrick Expand Nanopub
Analysis ID
719
Analyst
Quinn, Patrick
Is Cadence?
No
1 2–2 Apgar, Jamie Expand Nanopub
Analysis ID
722
Analyst
Apgar, Jamie
Is Cadence?
No
1 3–4 Apgar, Jamie Expand Nanopub
Analysis ID
723
Analyst
Apgar, Jamie
Is Cadence?
No
1 3–4 Quinn, Patrick Expand Nanopub
Analysis ID
720
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
CAD NDLT
Cadence Final Tone
C
Cadence Role (Cantizans)
Contratenor
Cadence Role (Tenorizans)
Bassus
Cadence Altered
Displaced

Comments

Ct would need B nat

1 3–4 Herdman, Jessica Expand Nanopub
Analysis ID
727
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
CAD NDLT
Cadence Final Tone
C
Cadence Role (Cantizans)
Contratenor
Cadence Role (Tenorizans)
Bassus
Cadence Altered
Displaced
1 4–4 Apgar, Jamie Expand Nanopub
Analysis ID
724
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
NoCadence
Cadence Final Tone
None
2 4–6 Herdman, Jessica Expand Nanopub
Analysis ID
736
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (@5)
Contratenor
Voice Role (Above)
Contratenor
Voice Role (Below)
Tenor
Other Counterpoint
Stretto Fuga
2 4–8 Apgar, Jamie Expand Nanopub
Analysis ID
734
Analyst
Apgar, Jamie
Is Cadence?
No
Text Treatment
Text Overlap
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

First four minims of this phrase a bit different and the no cadence is different.

2 4–5 Quinn, Patrick Expand Nanopub
Analysis ID
728
Analyst
Quinn, Patrick
Is Cadence?
No
Text Treatment
Text Overlap
2 4–6 Quinn, Patrick Expand Nanopub
Analysis ID
729
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (@5)
Contratenor
Voice Role (Above)
Contratenor
Other Counterpoint
Stretto fuga

Comments

T at unison with Ct

2 5–6 Quinn, Patrick Expand Nanopub
Analysis ID
730
Analyst
Quinn, Patrick
Is Cadence?
No
2 6–7 Herdman, Jessica Expand Nanopub
Analysis ID
737
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
CAD NDLT
Cadence Final Tone
C
Cadence Role (Cantizans)
Contratenor
Cadence Role (Tenorizans)
Bassus
Cadence Altered
Displaced
2 6–7 Quinn, Patrick Expand Nanopub
Analysis ID
731
Analyst
Quinn, Patrick
Is Cadence?
No
2 7–8 Apgar, Jamie Expand Nanopub
Analysis ID
735
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
NoCadence
Cadence Final Tone
None
2 7–8 Quinn, Patrick Expand Nanopub
Analysis ID
733
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Plagal
Cadence Final Tone
G
2 7–7 Quinn, Patrick Expand Nanopub
Analysis ID
732
Analyst
Quinn, Patrick
Is Cadence?
No

Comments

3/8 in S/B

3 8–10 Quinn, Patrick Expand Nanopub
Analysis ID
738
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
HR Simple

Comments

3/8 in S/B

3 8–10 Apgar, Jamie Expand Nanopub
Analysis ID
739
Analyst
Apgar, Jamie
Is Cadence?
No
Text Treatment
Text Overlap
3 8–10 Herdman, Jessica Expand Nanopub
Analysis ID
741
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
HR Simple
3 9–10 Herdman, Jessica Expand Nanopub
Analysis ID
742
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Plagal
Cadence Final Tone
C
3 10–10 Apgar, Jamie Expand Nanopub
Analysis ID
740
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
NoCadence
Cadence Final Tone
None
Text Treatment
Text Enjambment
4 10–13 Herdman, Jessica Expand Nanopub
Analysis ID
748
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
HR Simple
4 10–10 Herdman, Jessica Expand Nanopub
Analysis ID
747
Analyst
Herdman, Jessica
Is Cadence?
No
Text Treatment
Text Overlap
4 10–12 Quinn, Patrick Expand Nanopub
Analysis ID
743
Analyst
Quinn, Patrick
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
3
Repeat, Exact or Varied?

Comments

new text same music

4 10–15 Apgar, Jamie Expand Nanopub
Analysis ID
745
Analyst
Apgar, Jamie
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
3
Repeat, Exact or Varied?

Comments

Phrase 3 material is slightly varied at the end of m. 12, then in 13-15 there is new material as the Ct finishes saying this line of text.

4 13–14 Apgar, Jamie Expand Nanopub
Analysis ID
746
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
NoCadence
Cadence Final Tone
None
Text Treatment
Text Enjambment
4 14–15 Quinn, Patrick Expand Nanopub
Analysis ID
744
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
D
Cadence Role (Cantizans)
Contratenor
Cadence Role (Tenorizans)
Superius
Cadence Altered
Displaced, Evaded
Text Treatment
Text Overlap

Comments

S 2-3

5 14–16 Quinn, Patrick Expand Nanopub
Analysis ID
750
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (Above)
Tenor
5 14–18 Apgar, Jamie Expand Nanopub
Analysis ID
756
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Contratenor
Voice Role (@1 or @8)
Contratenor
5 14–17 Herdman, Jessica Expand Nanopub
Analysis ID
759
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Contratenor
Voice Role (@1 or @8)
Contratenor
Voice Role (Above)
Contratenor
5 15–16 Quinn, Patrick Expand Nanopub
Analysis ID
751
Analyst
Quinn, Patrick
Is Cadence?
No

Comments

consecutive 5ths Ct/B

5 16–17 Quinn, Patrick Expand Nanopub
Analysis ID
753
Analyst
Quinn, Patrick
Is Cadence?
No

Comments

after T crosses over Ct, Ct leaps a m6 to Eb, which could be awkward with the T already above

5 16–16 Quinn, Patrick Expand Nanopub
Analysis ID
752
Analyst
Quinn, Patrick
Is Cadence?
No
5 17–18 Apgar, Jamie Expand Nanopub
Analysis ID
757
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
5 17–18 Herdman, Jessica Expand Nanopub
Analysis ID
761
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
5 17–18 Quinn, Patrick Expand Nanopub
Analysis ID
754
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
CadInCad
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor

Comments

phrygian D B/Ct to Auth

5 18–22 Apgar, Jamie Expand Nanopub
Analysis ID
758
Analyst
Apgar, Jamie
Is Cadence?
No
Text Treatment
Text Overlap
Repeat Kind
Direct Repeat
Earlier Phrase
5
Repeat, Exact or Varied?

Comments

Phrase 5 just repeats itself

5 18–22 Herdman, Jessica Expand Nanopub
Analysis ID
760
Analyst
Herdman, Jessica
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
5
Repeat, Exact or Varied?

Comments

Slightly varied repeat of mm 14-17 of phrase 5.

5 18–22 Quinn, Patrick Expand Nanopub
Analysis ID
755
Analyst
Quinn, Patrick
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
5
Repeat, Exact or Varied?

Comments

transition into bar 19 not the same as into bar 15, otherwise identical