The Lost Voices Project

Companion resource to Les livres de Chansons Nouvelles de Nicolas Du Chemin (1549–1568), hosted by the Centre d’Études Supérieures de la Renaissance in Tours, France

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Si la promesse m’est tenue

Maillard, Jean

DC0110

Text

Phrase Number Measures Rhyme Phrase
1 1–4 a Si la promesse m’est tenue,
2 4–7 b Et en femme gist loyauté,
3 7–14 b J’auray ma part en sa beaulté.
4 13–20 a Mon coeur l’a pour soy retenue.

Music

Observations

Phrase Measures Analyst Details Nanopublication
1 1–3 Apgar, Jamie Expand Nanopub
Analysis ID
682
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

Also HR Dactyll

1 1–2 Quinn, Patrick Expand Nanopub
Analysis ID
679
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

T late

1 1–4 Herdman, Jessica Expand Nanopub
Analysis ID
686
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Tenor
Other Counterpoint
Stretto Fuga
1 1–3 Apgar, Jamie Expand Nanopub
Analysis ID
683
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Tenor
Other Counterpoint
Stretto Fuga
1 1–4 Apgar, Jamie Expand Nanopub
Analysis ID
684
Analyst
Apgar, Jamie
Is Cadence?
No
Other Formulas
Romanesca
1 2–4 Quinn, Patrick Expand Nanopub
Analysis ID
680
Analyst
Quinn, Patrick
Is Cadence?
No
Other Formulas
Romanesca

Comments

3/8 in S/B

1 3–4 Apgar, Jamie Expand Nanopub
Analysis ID
685
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor

Comments

Bass drops out.

1 3–4 Quinn, Patrick Expand Nanopub
Analysis ID
681
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
1 3–4 Herdman, Jessica Expand Nanopub
Analysis ID
687
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
2 4–6 Herdman, Jessica Expand Nanopub
Analysis ID
693
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Tenor
Voice Role (@4)
Tenor
Voice Role (Above)
Superius
Voice Role (Below)
Tenor
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
2 4–6 Quinn, Patrick Expand Nanopub
Analysis ID
688
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Tenor
Voice Role (@4)
Superius
Voice Role (Above)
Superius
Voice Role (Below)
Tenor
Other Counterpoint
Invertible Counterpoint, Stretto Fuga

Comments

T @ 4 below S

2 5–7 Apgar, Jamie Expand Nanopub
Analysis ID
691
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@4)
Tenor
Voice Role (Below)
Tenor
Other Counterpoint
Stretto fuga
2 6–6 Quinn, Patrick Expand Nanopub
Analysis ID
689
Analyst
Quinn, Patrick
Is Cadence?
No
2 6–7 Herdman, Jessica Expand Nanopub
Analysis ID
694
Analyst
Herdman, Jessica
Is Cadence?
No
2 6–7 Herdman, Jessica Expand Nanopub
Analysis ID
695
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
D
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
2 6–7 Apgar, Jamie Expand Nanopub
Analysis ID
692
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
D
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
2 6–7 Quinn, Patrick Expand Nanopub
Analysis ID
690
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
D
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
Cadence Altered
Evaded
3 8–10 Apgar, Jamie Expand Nanopub
Analysis ID
702
Analyst
Apgar, Jamie
Is Cadence?
No
Other Formulas
Romanesca
3 8–10 Quinn, Patrick Expand Nanopub
Analysis ID
697
Analyst
Quinn, Patrick
Is Cadence?
No
3 8–11 Quinn, Patrick Expand Nanopub
Analysis ID
698
Analyst
Quinn, Patrick
Is Cadence?
No

Comments

parallel 3 m 10 in S/B

3 8–10 Herdman, Jessica Expand Nanopub
Analysis ID
705
Analyst
Herdman, Jessica
Is Cadence?
No
3 10–20 Romey, John Expand Nanopub
Analysis ID
7337
Analyst
Romey, John
Is Cadence?
No
3 10–13 Apgar, Jamie Expand Nanopub
Analysis ID
703
Analyst
Apgar, Jamie
Is Cadence?
No
3 11–12 Quinn, Patrick Expand Nanopub
Analysis ID
700
Analyst
Quinn, Patrick
Is Cadence?
No
3 12–14 Herdman, Jessica Expand Nanopub
Analysis ID
706
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
B-flat
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
3 12–13 Quinn, Patrick Expand Nanopub
Analysis ID
699
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
CadInCad
Cadence Final Tone
B-flat
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
3 12–14 Apgar, Jamie Expand Nanopub
Analysis ID
704
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
CadInCad
Cadence Final Tone
B-flat
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor

Comments

Ct and B drop out and B enters on a G immediately after cadence

3 13–13 Quinn, Patrick Expand Nanopub
Analysis ID
701
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
B-flat
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
Cadence Altered
Incomplete, Evaded

Comments

No Ct res, no B res, B to g undercuts strength of cad

4 13–18 Herdman, Jessica Expand Nanopub
Analysis ID
716
Analyst
Herdman, Jessica
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
4
Repeat, Exact or Varied?
4 13–16 Quinn, Patrick Expand Nanopub
Analysis ID
707
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Superius
Voice Role (Comes 2)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor
Voice Role (Below)
Tenor
Other Counterpoint
Invertible Counterpoint, Stretto Fuga

Comments

T @ 5 above B, S @ 8 above T, T @ 8 below S

4 13–18 Apgar, Jamie Expand Nanopub
Analysis ID
712
Analyst
Apgar, Jamie
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

B and Ct altered to include extra harmony; first two bars of the present phrase are also based on the opening material of the piece, then lead into the actual repeat of phrase 1

4 14–15 Quinn, Patrick Expand Nanopub
Analysis ID
708
Analyst
Quinn, Patrick
Is Cadence?
No
4 16–17 Herdman, Jessica Expand Nanopub
Analysis ID
714
Analyst
Herdman, Jessica
Is Cadence?
No
4 16–16 Quinn, Patrick Expand Nanopub
Analysis ID
709
Analyst
Quinn, Patrick
Is Cadence?
No
Other Formulas
Romanesca

Comments

3/8 in S/B

4 16–17 Quinn, Patrick Expand Nanopub
Analysis ID
710
Analyst
Quinn, Patrick
Is Cadence?
No
4 17–18 Herdman, Jessica Expand Nanopub
Analysis ID
715
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
4 17–18 Quinn, Patrick Expand Nanopub
Analysis ID
711
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor