The Lost Voices Project

Companion resource to Les livres de Chansons Nouvelles de Nicolas Du Chemin (1549–1568), hosted by the Centre d’Études Supérieures de la Renaissance in Tours, France

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Mars et Amour font ensemble alliance

Regnes, Nicole

DC0109

Text

Phrase Number Measures Rhyme Phrase
1 1–6 a Mars et Amour font ensemble alliance,
2 6–11 b Et ont changé de puissances et armes.
3 12–17 a Mars a quitté sa tant cruelle lance,
4 17–22 b Dont se servoit aux mortelles allarmes.
5 23–27 b Ilz sont tous deux de volunté si fermes,
6 26–32 c Que l’un ne peult rien sans l’autre entreprendre.
7 32–38 c Quand l’arc d’Amour le fier Mars vient destendre,
8 38–46 d Du premier coup il rend l’homme amoureux
9 46–51 c Et quand Amour vient pour la picque prendre,
10 51–57 d Tout fait mourir en tourment langoureux.

Music

Observations

Phrase Measures Analyst Details Nanopublication
1 1–2 Quinn, Patrick Expand Nanopub
Analysis ID
589
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

T early

1 2–3 Herdman, Jessica Expand Nanopub
Analysis ID
597
Analyst
Herdman, Jessica
Is Cadence?
No
1 2–3 Quinn, Patrick Expand Nanopub
Analysis ID
590
Analyst
Quinn, Patrick
Is Cadence?
No
1 2–3 Apgar, Jamie Expand Nanopub
Analysis ID
594
Analyst
Apgar, Jamie
Is Cadence?
No
1 3–5 Quinn, Patrick Expand Nanopub
Analysis ID
591
Analyst
Quinn, Patrick
Is Cadence?
No
1 3–5 Apgar, Jamie Expand Nanopub
Analysis ID
595
Analyst
Apgar, Jamie
Is Cadence?
No
1 4–5 Herdman, Jessica Expand Nanopub
Analysis ID
598
Analyst
Herdman, Jessica
Is Cadence?
No
1 4–5 Quinn, Patrick Expand Nanopub
Analysis ID
592
Analyst
Quinn, Patrick
Is Cadence?
No
1 5–6 Herdman, Jessica Expand Nanopub
Analysis ID
600
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
B-flat
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
Cadence Altered
Incomplete

Comments

Incomplete cad: S to rest, no 7>8.

1 5–6 Quinn, Patrick Expand Nanopub
Analysis ID
593
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
B-flat
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
Cadence Altered
Incomplete

Comments

no S resolution

1 5–6 Apgar, Jamie Expand Nanopub
Analysis ID
596
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
B-flat
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
Cadence Altered
Incomplete

Comments

S cadenced too early.

2 6–9 Quinn, Patrick Expand Nanopub
Analysis ID
602
Analyst
Quinn, Patrick
Is Cadence?
No
2 6–10 Apgar, Jamie Expand Nanopub
Analysis ID
605
Analyst
Apgar, Jamie
Is Cadence?
No

Comments

Mm. 7-9 also has some ACC 3rds in Ct/T.

2 6–9 Herdman, Jessica Expand Nanopub
Analysis ID
607
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (@4)
Bassus
Voice Role (Below)
Bassus
2 6–8 Quinn, Patrick Expand Nanopub
Analysis ID
601
Analyst
Quinn, Patrick
Is Cadence?
No

Comments

3/8 in T/B

2 7–9 Quinn, Patrick Expand Nanopub
Analysis ID
603
Analyst
Quinn, Patrick
Is Cadence?
No
2 7–11 Herdman, Jessica Expand Nanopub
Analysis ID
608
Analyst
Herdman, Jessica
Is Cadence?
No
2 10–11 Quinn, Patrick Expand Nanopub
Analysis ID
604
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
2 10–11 Herdman, Jessica Expand Nanopub
Analysis ID
609
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
2 10–11 Apgar, Jamie Expand Nanopub
Analysis ID
606
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
2 17–22 Herdman, Jessica Expand Nanopub
Analysis ID
610
Analyst
Herdman, Jessica
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
3 12–17 Apgar, Jamie Expand Nanopub
Analysis ID
612
Analyst
Apgar, Jamie
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
3 12–17 Quinn, Patrick Expand Nanopub
Analysis ID
611
Analyst
Quinn, Patrick
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
3 12–17 Herdman, Jessica Expand Nanopub
Analysis ID
613
Analyst
Herdman, Jessica
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
4 17–22 Apgar, Jamie Expand Nanopub
Analysis ID
615
Analyst
Apgar, Jamie
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
4 17–22 Quinn, Patrick Expand Nanopub
Analysis ID
614
Analyst
Quinn, Patrick
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
5 23–23 Herdman, Jessica Expand Nanopub
Analysis ID
625
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
HR Dactyll
5 23–25 Quinn, Patrick Expand Nanopub
Analysis ID
617
Analyst
Quinn, Patrick
Is Cadence?
No
5 23–24 Apgar, Jamie Expand Nanopub
Analysis ID
622
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
HR Dactyll
5 23–24 Quinn, Patrick Expand Nanopub
Analysis ID
616
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
HR Dactyll
5 23–25 Herdman, Jessica Expand Nanopub
Analysis ID
626
Analyst
Herdman, Jessica
Is Cadence?
No
5 24–25 Apgar, Jamie Expand Nanopub
Analysis ID
623
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

Note T/B also has ACC 5/3 here.

5 24–25 Quinn, Patrick Expand Nanopub
Analysis ID
618
Analyst
Quinn, Patrick
Is Cadence?
No
5 25–26 Apgar, Jamie Expand Nanopub
Analysis ID
624
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Phrygian
Cadence Final Tone
D
Cadence Role (Cantizans)
Contratenor
Cadence Role (Tenorizans)
Bassus
Cadence Altered
Displaced, Doubtful

Comments

Doubtful because there is significant overlap with the following phrase.

5 25–27 Quinn, Patrick Expand Nanopub
Analysis ID
619
Analyst
Quinn, Patrick
Is Cadence?
No
5 25–26 Herdman, Jessica Expand Nanopub
Analysis ID
627
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Phrygian
Cadence Final Tone
D
Cadence Role (Cantizans)
Contratenor
Cadence Role (Tenorizans)
Bassus
Cadence Altered
Displaced
5 25–26 Quinn, Patrick Expand Nanopub
Analysis ID
621
Analyst
Quinn, Patrick
Is Cadence?
No
5 26–26 Quinn, Patrick Expand Nanopub
Analysis ID
620
Analyst
Quinn, Patrick
Is Cadence?
No

Comments

parallel 5 after beat rest T/B

6 26–28 Apgar, Jamie Expand Nanopub
Analysis ID
635
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (@4)
Tenor
Voice Role (Above)
Tenor

Comments

Superius is @ 8 above.

6 26–28 Quinn, Patrick Expand Nanopub
Analysis ID
629
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (@4)
Tenor
Voice Role (Above)
Tenor

Comments

S @ 8 above T

6 26–27 Quinn, Patrick Expand Nanopub
Analysis ID
628
Analyst
Quinn, Patrick
Is Cadence?
No
Text Treatment
Text Overlap
6 26–27 Apgar, Jamie Expand Nanopub
Analysis ID
634
Analyst
Apgar, Jamie
Is Cadence?
No
Text Treatment
Text Overlap
6 26–29 Herdman, Jessica Expand Nanopub
Analysis ID
639
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (@4)
Tenor
Voice Role (Above)
Tenor
Other Counterpoint
Stretto Fuga
6 27–27 Quinn, Patrick Expand Nanopub
Analysis ID
630
Analyst
Quinn, Patrick
Is Cadence?
No
6 28–29 Apgar, Jamie Expand Nanopub
Analysis ID
636
Analyst
Apgar, Jamie
Is Cadence?
No
6 29–31 Quinn, Patrick Expand Nanopub
Analysis ID
631
Analyst
Quinn, Patrick
Is Cadence?
No
6 30–31 Apgar, Jamie Expand Nanopub
Analysis ID
637
Analyst
Apgar, Jamie
Is Cadence?
No
6 30–31 Quinn, Patrick Expand Nanopub
Analysis ID
632
Analyst
Quinn, Patrick
Is Cadence?
No
6 31–32 Quinn, Patrick Expand Nanopub
Analysis ID
633
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
B-flat
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
Cadence Altered
Incomplete

Comments

no B downbeat resolution

6 31–32 Herdman, Jessica Expand Nanopub
Analysis ID
641
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
B-flat
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
6 31–32 Apgar, Jamie Expand Nanopub
Analysis ID
638
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
B-flat
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
Cadence Altered
Incomplete

Comments

Bassus drops out.

6 31–32 Herdman, Jessica Expand Nanopub
Analysis ID
640
Analyst
Herdman, Jessica
Is Cadence?
No
7 32–34 Herdman, Jessica Expand Nanopub
Analysis ID
652
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Contratenor
Voice Role (Lower Voice 1 NIM)
Bassus
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Tenor
7 32–34 Quinn, Patrick Expand Nanopub
Analysis ID
642
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Superius
Other Counterpoint
Stretto Fuga
7 33–35 Quinn, Patrick Expand Nanopub
Analysis ID
643
Analyst
Quinn, Patrick
Is Cadence?
No

Comments

parallel 3 m 35 in T/B

7 34–36 Apgar, Jamie Expand Nanopub
Analysis ID
649
Analyst
Apgar, Jamie
Is Cadence?
No
7 34–35 Apgar, Jamie Expand Nanopub
Analysis ID
648
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Contratenor
Voice Role (Lower Voice 1 NIM)
Bassus
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Tenor
7 36–38 Herdman, Jessica Expand Nanopub
Analysis ID
653
Analyst
Herdman, Jessica
Is Cadence?
No
7 36–38 Apgar, Jamie Expand Nanopub
Analysis ID
650
Analyst
Apgar, Jamie
Is Cadence?
No
7 36–37 Quinn, Patrick Expand Nanopub
Analysis ID
645
Analyst
Quinn, Patrick
Is Cadence?
No
7 36–36 Quinn, Patrick Expand Nanopub
Analysis ID
644
Analyst
Quinn, Patrick
Is Cadence?
No
7 37–38 Apgar, Jamie Expand Nanopub
Analysis ID
651
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
D
Cadence Role (Cantizans)
Contratenor
Cadence Role (Tenorizans)
Superius
Cadence Altered
Displaced, Inverted

Comments

Overlap with next phrase

7 37–37 Quinn, Patrick Expand Nanopub
Analysis ID
646
Analyst
Quinn, Patrick
Is Cadence?
No
7 37–38 Herdman, Jessica Expand Nanopub
Analysis ID
654
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
D
Cadence Role (Cantizans)
Contratenor
Cadence Role (Tenorizans)
Superius
Cadence Altered
Displaced, Inverted
7 38–38 Quinn, Patrick Expand Nanopub
Analysis ID
647
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
None
Cadence Role (Cantizans)
Contratenor
Cadence Role (Tenorizans)
Superius
Cadence Altered
Displaced

Comments

Bass supplies T resolution, no bass in cadence till resolution

8 38–42 Quinn, Patrick Expand Nanopub
Analysis ID
657
Analyst
Quinn, Patrick
Is Cadence?
No

Comments

should have included with ID

8 38–38 Apgar, Jamie Expand Nanopub
Analysis ID
664
Analyst
Apgar, Jamie
Is Cadence?
No
Text Treatment
Text Overlap
8 38–42 Quinn, Patrick Expand Nanopub
Analysis ID
655
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Superius
Voice Role (Comes 2)
Contratenor
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor

Comments

8 38–40 Herdman, Jessica Expand Nanopub
Analysis ID
668
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Bassus
Voice Role (Lower Voice 1 NIM)
Tenor
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Contratenor
8 38–42 Apgar, Jamie Expand Nanopub
Analysis ID
665
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Bassus
Voice Role (Lower Voice 1 NIM)
Tenor
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Contratenor
8 39–40 Quinn, Patrick Expand Nanopub
Analysis ID
659
Analyst
Quinn, Patrick
Is Cadence?
No
8 40–41 Quinn, Patrick Expand Nanopub
Analysis ID
656
Analyst
Quinn, Patrick
Is Cadence?
No
8 40–46 Herdman, Jessica Expand Nanopub
Analysis ID
669
Analyst
Herdman, Jessica
Is Cadence?
No
8 41–42 Quinn, Patrick Expand Nanopub
Analysis ID
660
Analyst
Quinn, Patrick
Is Cadence?
No
8 42–44 Apgar, Jamie Expand Nanopub
Analysis ID
666
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
HR Stagger
8 43–44 Quinn, Patrick Expand Nanopub
Analysis ID
661
Analyst
Quinn, Patrick
Is Cadence?
No

Comments

3/8 in S/B

8 43–43 Quinn, Patrick Expand Nanopub
Analysis ID
658
Analyst
Quinn, Patrick
Is Cadence?
No
8 44–45 Apgar, Jamie Expand Nanopub
Analysis ID
667
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
8 44–44 Quinn, Patrick Expand Nanopub
Analysis ID
662
Analyst
Quinn, Patrick
Is Cadence?
No
8 45–46 Quinn, Patrick Expand Nanopub
Analysis ID
663
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
8 45–46 Herdman, Jessica Expand Nanopub
Analysis ID
670
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
9 46–51 Herdman, Jessica Expand Nanopub
Analysis ID
673
Analyst
Herdman, Jessica
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
9 46–51 Herdman, Jessica Expand Nanopub
Analysis ID
674
Analyst
Herdman, Jessica
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
9
Repeat, Exact or Varied?
9 46–51 Apgar, Jamie Expand Nanopub
Analysis ID
672
Analyst
Apgar, Jamie
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
1
Repeat, Exact or Varied?
9 46–51 Quinn, Patrick Expand Nanopub
Analysis ID
671
Analyst
Quinn, Patrick
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

could be seen as T moving early or B late in HR Stagger. T energizes rhythm early, bass enters late.

10 51–56 Apgar, Jamie Expand Nanopub
Analysis ID
676
Analyst
Apgar, Jamie
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
2
Repeat, Exact or Varied?

Comments

Original material almost exactly repeated but Ct adds passing/neighbor tones in m. 55 (compare with m. 10 and m. 21).

10 51–56 Herdman, Jessica Expand Nanopub
Analysis ID
678
Analyst
Herdman, Jessica
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
10
Repeat, Exact or Varied?
10 51–56 Quinn, Patrick Expand Nanopub
Analysis ID
675
Analyst
Quinn, Patrick
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
10 51–56 Herdman, Jessica Expand Nanopub
Analysis ID
677
Analyst
Herdman, Jessica
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?