The Lost Voices Project

Companion resource to Les livres de Chansons Nouvelles de Nicolas Du Chemin (1549–1568), hosted by the Centre d’Études Supérieures de la Renaissance in Tours, France

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Vive sera pour jamais n’estre morte

Marle, Nicolas de

DC0108

Text

Phrase Number Measures Rhyme Phrase
1 1–6 a Vive sera pour jamais n’estre morte,
2 6–11 b Dans le secret d’un plus hault souvenir
3 1–6 a Bruslant tousjours par plus subtile sorte,
4 6–12 b L’affection de mon bien advenir.
5 12–14 b Ce qu’advenant je pourray devenir
6 14–19 c Le seul content de moy et de m’amye.
7 19–23 b En resveillant pour plustost parvenir,
8 23–29 c La volunté si long temps endormie.

Music

Observations

Phrase Measures Analyst Details Nanopublication
1 1–2 Quinn, Patrick Expand Nanopub
Analysis ID
531
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

B late

1 1–3 Quinn, Patrick Expand Nanopub
Analysis ID
532
Analyst
Quinn, Patrick
Is Cadence?
No
Text Treatment
HR Stagger

Comments

Ct @ 5 above B

1 1–3 Apgar, Jamie Expand Nanopub
Analysis ID
536
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (@5)
Bassus
Voice Role (Below)
Bassus
1 1–3 Herdman, Jessica Expand Nanopub
Analysis ID
540
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (@5)
Bassus
Voice Role (Below)
Bassus
1 1–1 Herdman, Jessica Expand Nanopub
Analysis ID
539
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
HR Dactyll
1 2–5 Herdman, Jessica Expand Nanopub
Analysis ID
541
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (@4)
Superius
Voice Role (Above)
Superius
1 3–3 Quinn, Patrick Expand Nanopub
Analysis ID
533
Analyst
Quinn, Patrick
Is Cadence?
No
1 3–6 Apgar, Jamie Expand Nanopub
Analysis ID
537
Analyst
Apgar, Jamie
Is Cadence?
No
1 4–4 Quinn, Patrick Expand Nanopub
Analysis ID
534
Analyst
Quinn, Patrick
Is Cadence?
No
1 5–6 Quinn, Patrick Expand Nanopub
Analysis ID
535
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Phrygian
Cadence Final Tone
D
Cadence Role (Cantizans)
Contratenor
Cadence Role (Tenorizans)
Bassus
Cadence Altered
Displaced
1 5–6 Herdman, Jessica Expand Nanopub
Analysis ID
542
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Plagal
Cadence Final Tone
D
Cadence Role (Cantizans)
Contratenor
Cadence Role (Tenorizans)
Bassus
Cadence Altered
Displaced
1 5–6 Apgar, Jamie Expand Nanopub
Analysis ID
538
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Phrygian
Cadence Final Tone
D
Cadence Role (Cantizans)
Contratenor
Cadence Role (Tenorizans)
Bassus
Cadence Altered
Displaced
Text Treatment
Text Representation

Comments

E-flat in bassus and melisma in superius are text representation of "morte"

2 6–7 Quinn, Patrick Expand Nanopub
Analysis ID
543
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

S late

2 6–7 Herdman, Jessica Expand Nanopub
Analysis ID
551
Analyst
Herdman, Jessica
Is Cadence?
No
Text Treatment
HR Stagger
2 6–7 Apgar, Jamie Expand Nanopub
Analysis ID
546
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
HR Stagger
2 7–8 Apgar, Jamie Expand Nanopub
Analysis ID
547
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
B-flat
Cadence Role (Cantizans)
Tenor
Cadence Role (Tenorizans)
Contratenor
Cadence Altered
Displaced, Inverted, Incomplete
2 8–9 Quinn, Patrick Expand Nanopub
Analysis ID
544
Analyst
Quinn, Patrick
Is Cadence?
No

Comments

also parallel 6 in S/Ct

2 8–9 Apgar, Jamie Expand Nanopub
Analysis ID
548
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
HR Simple
2 8–9 Herdman, Jessica Expand Nanopub
Analysis ID
552
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
HR Simple
2 9–10 Apgar, Jamie Expand Nanopub
Analysis ID
549
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
HR Stagger
2 10–11 Apgar, Jamie Expand Nanopub
Analysis ID
550
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
2 10–11 Herdman, Jessica Expand Nanopub
Analysis ID
553
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
2 10–11 Quinn, Patrick Expand Nanopub
Analysis ID
545
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
3 1–6 Herdman, Jessica Expand Nanopub
Analysis ID
556
Analyst
Herdman, Jessica
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
3 1–6 Quinn, Patrick Expand Nanopub
Analysis ID
554
Analyst
Quinn, Patrick
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
3 1–6 Apgar, Jamie Expand Nanopub
Analysis ID
555
Analyst
Apgar, Jamie
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
4 6–11 Apgar, Jamie Expand Nanopub
Analysis ID
558
Analyst
Apgar, Jamie
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
4 6–11 Herdman, Jessica Expand Nanopub
Analysis ID
559
Analyst
Herdman, Jessica
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
4 6–12 Quinn, Patrick Expand Nanopub
Analysis ID
557
Analyst
Quinn, Patrick
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
5 11–12 Apgar, Jamie Expand Nanopub
Analysis ID
564
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (@4)
Superius
Voice Role (Above)
Superius
5 11–12 Apgar, Jamie Expand Nanopub
Analysis ID
563
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
HR Stagger
5 11–14 Herdman, Jessica Expand Nanopub
Analysis ID
568
Analyst
Herdman, Jessica
Is Cadence?
No
5 11–12 Herdman, Jessica Expand Nanopub
Analysis ID
567
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
HR Stagger
5 12–13 Quinn, Patrick Expand Nanopub
Analysis ID
560
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

S late

5 12–14 Apgar, Jamie Expand Nanopub
Analysis ID
565
Analyst
Apgar, Jamie
Is Cadence?
No
Other Formulas
Romanesca
5 13–15 Quinn, Patrick Expand Nanopub
Analysis ID
561
Analyst
Quinn, Patrick
Is Cadence?
No
Other Formulas
Romanesca
5 14–15 Apgar, Jamie Expand Nanopub
Analysis ID
566
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Phrygian
Cadence Final Tone
A
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
Text Treatment
Text Enjambment
5 14–15 Quinn, Patrick Expand Nanopub
Analysis ID
562
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Phrygian
Cadence Final Tone
A
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
Text Treatment
Text Overlap
5 15–15 Herdman, Jessica Expand Nanopub
Analysis ID
569
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Phrygian
Cadence Final Tone
A
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
6 14–16 Apgar, Jamie Expand Nanopub
Analysis ID
575
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Tenor
Voice Role (@1 or @8)
Bassus
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor
Voice Role (Below)
Bassus
Other Counterpoint
Invertible Counterpoint, Stretto Fuga

Comments

Note that Ct/B is also ACC 5/3 here.

6 14–14 Apgar, Jamie Expand Nanopub
Analysis ID
576
Analyst
Apgar, Jamie
Is Cadence?
No
Text Treatment
Text Overlap
6 14–16 Herdman, Jessica Expand Nanopub
Analysis ID
579
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Tenor
Voice Role (@1 or @8)
Bassus
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor
Voice Role (Below)
Bassus
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
6 15–17 Quinn, Patrick Expand Nanopub
Analysis ID
570
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Tenor
Voice Role (@1 or @8)
Bassus
Voice Role (@5)
Tenor
Voice Role (Above)
Tenor
Voice Role (Below)
Bassus
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
6 15–16 Quinn, Patrick Expand Nanopub
Analysis ID
572
Analyst
Quinn, Patrick
Is Cadence?
No
6 16–17 Quinn, Patrick Expand Nanopub
Analysis ID
571
Analyst
Quinn, Patrick
Is Cadence?
No

Comments

also parallel 3 Ct/T

6 17–18 Apgar, Jamie Expand Nanopub
Analysis ID
577
Analyst
Apgar, Jamie
Is Cadence?
No
Other Formulas
Romanesca
6 17–19 Quinn, Patrick Expand Nanopub
Analysis ID
573
Analyst
Quinn, Patrick
Is Cadence?
No
Other Formulas
Romanesca
6 18–19 Apgar, Jamie Expand Nanopub
Analysis ID
578
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
D
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
6 18–19 Herdman, Jessica Expand Nanopub
Analysis ID
580
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
D
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
6 19–20 Quinn, Patrick Expand Nanopub
Analysis ID
574
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
CadInCad
Cadence Final Tone
D
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor

Comments

phrygian cadence on A Ct/B before auth

7 19–23 Herdman, Jessica Expand Nanopub
Analysis ID
584
Analyst
Herdman, Jessica
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
7 19–23 Herdman, Jessica Expand Nanopub
Analysis ID
583
Analyst
Herdman, Jessica
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

Varied from phrase 1 through a different opening rhythm and a shortened cadential phrase (in m 22).

7 19–23 Apgar, Jamie Expand Nanopub
Analysis ID
582
Analyst
Apgar, Jamie
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

mm. 4-5 compressed into one bar, m. 22.

7 20–24 Quinn, Patrick Expand Nanopub
Analysis ID
581
Analyst
Quinn, Patrick
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
8 23–28 Herdman, Jessica Expand Nanopub
Analysis ID
588
Analyst
Herdman, Jessica
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
8 23–28 Apgar, Jamie Expand Nanopub
Analysis ID
586
Analyst
Apgar, Jamie
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
2
Repeat, Exact or Varied?
8 23–28 Herdman, Jessica Expand Nanopub
Analysis ID
587
Analyst
Herdman, Jessica
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
8 24–29 Quinn, Patrick Expand Nanopub
Analysis ID
585
Analyst
Quinn, Patrick
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?