The Lost Voices Project

Companion resource to Les livres de Chansons Nouvelles de Nicolas Du Chemin (1549–1568), hosted by the Centre d’Études Supérieures de la Renaissance in Tours, France

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La volunté si longtemps endormie

Goudimel, Claude

DC0107

Text

Phrase Number Measures Rhyme Phrase
1 1–7 a La volunté si long temps endormie
2 7–12 b S’esveillera si j’ay ce que je pense
3 1–7 a Je sens au coeur que mon desir s’advance,
4 7–12 b Et à peu pres fait contente ma vie
5 13–17 a Et tout ainsi que la flamme amortie,
6 17–22 b Ou feu couvert rend sa chaleur plus forte.
7 22–28 La descouvrant la mienne ensevelie
8 28–34 Vive sera, pour n’estre jamais morte.

Music

Observations

Phrase Measures Analyst Details Nanopublication
1 1–3 Apgar, Jamie Expand Nanopub
Analysis ID
475
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (@4)
Bassus
Voice Role (Below)
Bassus
1 1–3 Herdman, Jessica Expand Nanopub
Analysis ID
477
Analyst
Herdman, Jessica
Is Cadence?
No
1 1–2 Quinn, Patrick Expand Nanopub
Analysis ID
468
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

B late, m2 in Ct downbeat voice leading avoids direct parallel 3

1 3–4 Herdman, Jessica Expand Nanopub
Analysis ID
478
Analyst
Herdman, Jessica
Is Cadence?
No
1 3–4 Quinn, Patrick Expand Nanopub
Analysis ID
469
Analyst
Quinn, Patrick
Is Cadence?
No
1 4–6 Apgar, Jamie Expand Nanopub
Analysis ID
476
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Contratenor
Voice Role (Comes 2)
Bassus
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Tenor

Comments

Ct imitates T @ unison and B imitates Ct @ 8 below.

1 4–6 Quinn, Patrick Expand Nanopub
Analysis ID
470
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Contratenor
Voice Role (Comes 2)
Bassus
Voice Role (@1 or @8)
Contratenor
Voice Role (Above)
Contratenor
Voice Role (Below)
Bassus

Comments

Ct @ 1 with T, B @ 8 down from Ct

1 5–6 Quinn, Patrick Expand Nanopub
Analysis ID
473
Analyst
Quinn, Patrick
Is Cadence?
No
1 5–5 Quinn, Patrick Expand Nanopub
Analysis ID
471
Analyst
Quinn, Patrick
Is Cadence?
No
1 6–6 Quinn, Patrick Expand Nanopub
Analysis ID
472
Analyst
Quinn, Patrick
Is Cadence?
No
1 6–7 Herdman, Jessica Expand Nanopub
Analysis ID
479
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
B-flat
Cadence Role (Cantizans)
Tenor
Cadence Role (Tenorizans)
Contratenor
Cadence Altered
Displaced, Inverted, Evaded
1 6–7 Quinn, Patrick Expand Nanopub
Analysis ID
474
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
B-flat
Cadence Role (Cantizans)
Tenor
Cadence Role (Tenorizans)
Contratenor
Cadence Altered
Displaced, Evaded

Comments

Ct 2-3

2 7–8 Herdman, Jessica Expand Nanopub
Analysis ID
490
Analyst
Herdman, Jessica
Is Cadence?
No
2 7–8 Apgar, Jamie Expand Nanopub
Analysis ID
486
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
HR Stagger
2 8–10 Apgar, Jamie Expand Nanopub
Analysis ID
487
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (Dux 2)
Superius
Voice Role (@5)
Bassus
Voice Role (Above)
Superius
Voice Role (Below)
Bassus
Other Counterpoint
Invertible Counterpoint

Comments

S imitates @5 above B.

2 9–10 Herdman, Jessica Expand Nanopub
Analysis ID
491
Analyst
Herdman, Jessica
Is Cadence?
No
2 9–10 Apgar, Jamie Expand Nanopub
Analysis ID
488
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Phrygian
Cadence Final Tone
D
Cadence Role (Cantizans)
Contratenor
Cadence Role (Tenorizans)
Bassus
Cadence Altered
Displaced
2 10–11 Quinn, Patrick Expand Nanopub
Analysis ID
482
Analyst
Quinn, Patrick
Is Cadence?
No
2 10–10 Quinn, Patrick Expand Nanopub
Analysis ID
481
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Phrygian
Cadence Final Tone
D
Cadence Role (Cantizans)
Contratenor
Cadence Role (Tenorizans)
Bassus
Cadence Altered
Displaced
2 11–12 Herdman, Jessica Expand Nanopub
Analysis ID
492
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
2 11–12 Quinn, Patrick Expand Nanopub
Analysis ID
485
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
2 11–11 Quinn, Patrick Expand Nanopub
Analysis ID
483
Analyst
Quinn, Patrick
Is Cadence?
No
2 11–12 Quinn, Patrick Expand Nanopub
Analysis ID
484
Analyst
Quinn, Patrick
Is Cadence?
No
Other Formulas
Romanesca
2 11–12 Apgar, Jamie Expand Nanopub
Analysis ID
489
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
3 1–7 Quinn, Patrick Expand Nanopub
Analysis ID
493
Analyst
Quinn, Patrick
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
3 1–7 Apgar, Jamie Expand Nanopub
Analysis ID
494
Analyst
Apgar, Jamie
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
3 1–7 Herdman, Jessica Expand Nanopub
Analysis ID
495
Analyst
Herdman, Jessica
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
4 7–12 Apgar, Jamie Expand Nanopub
Analysis ID
497
Analyst
Apgar, Jamie
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
4 7–12 Herdman, Jessica Expand Nanopub
Analysis ID
498
Analyst
Herdman, Jessica
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
4 7–12 Quinn, Patrick Expand Nanopub
Analysis ID
496
Analyst
Quinn, Patrick
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
5 13–14 Apgar, Jamie Expand Nanopub
Analysis ID
505
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
HR Simple
5 13–15 Quinn, Patrick Expand Nanopub
Analysis ID
500
Analyst
Quinn, Patrick
Is Cadence?
No

Comments

not ROM b/c descent and harmonic rhythm not aligned

5 13–15 Herdman, Jessica Expand Nanopub
Analysis ID
509
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
HR Simple
5 13–14 Quinn, Patrick Expand Nanopub
Analysis ID
501
Analyst
Quinn, Patrick
Is Cadence?
No
5 13–13 Quinn, Patrick Expand Nanopub
Analysis ID
499
Analyst
Quinn, Patrick
Is Cadence?
No
Text Treatment
Text Pause
5 13–13 Herdman, Jessica Expand Nanopub
Analysis ID
508
Analyst
Herdman, Jessica
Is Cadence?
No
Text Treatment
Text Pause

Comments

All voices pause before moving on from the repetition of the same musical material (i.e. phrase 1-2, and phrases 3-4).

5 14–17 Quinn, Patrick Expand Nanopub
Analysis ID
503
Analyst
Quinn, Patrick
Is Cadence?
No
5 15–16 Apgar, Jamie Expand Nanopub
Analysis ID
506
Analyst
Apgar, Jamie
Is Cadence?
No
5 15–15 Quinn, Patrick Expand Nanopub
Analysis ID
502
Analyst
Quinn, Patrick
Is Cadence?
No
5 15–16 Herdman, Jessica Expand Nanopub
Analysis ID
510
Analyst
Herdman, Jessica
Is Cadence?
No
5 16–17 Apgar, Jamie Expand Nanopub
Analysis ID
507
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
5 16–17 Herdman, Jessica Expand Nanopub
Analysis ID
512
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
5 16–17 Quinn, Patrick Expand Nanopub
Analysis ID
504
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
6 17–19 Herdman, Jessica Expand Nanopub
Analysis ID
521
Analyst
Herdman, Jessica
Is Cadence?
No
6 17–17 Apgar, Jamie Expand Nanopub
Analysis ID
517
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
HR Stagger
6 17–21 Apgar, Jamie Expand Nanopub
Analysis ID
518
Analyst
Apgar, Jamie
Is Cadence?
No
6 19–20 Quinn, Patrick Expand Nanopub
Analysis ID
514
Analyst
Quinn, Patrick
Is Cadence?
No
6 20–20 Quinn, Patrick Expand Nanopub
Analysis ID
515
Analyst
Quinn, Patrick
Is Cadence?
No

Comments

parallel 5th in T/B, Ct crosses over S then under T. Not a well brought together measure

6 20–21 Apgar, Jamie Expand Nanopub
Analysis ID
519
Analyst
Apgar, Jamie
Is Cadence?
No
Text Treatment
Text Representation

Comments

Melismas and leaps, especially in Ct, represent "forte"

6 21–22 Quinn, Patrick Expand Nanopub
Analysis ID
516
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
6 21–22 Apgar, Jamie Expand Nanopub
Analysis ID
520
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
6 21–22 Herdman, Jessica Expand Nanopub
Analysis ID
522
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
7 21–28 Apgar, Jamie Expand Nanopub
Analysis ID
524
Analyst
Apgar, Jamie
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
1
Repeat, Exact or Varied?
7 22–28 Herdman, Jessica Expand Nanopub
Analysis ID
525
Analyst
Herdman, Jessica
Is Cadence?
No
7 22–28 Quinn, Patrick Expand Nanopub
Analysis ID
523
Analyst
Quinn, Patrick
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
7 28–29 Herdman, Jessica Expand Nanopub
Analysis ID
526
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
B-flat
Cadence Role (Cantizans)
Tenor
Cadence Role (Tenorizans)
Contratenor
Cadence Altered
Displaced, Inverted, Evaded

Comments

Evaded cad: Ct to D, no 2>1.

8 28–33 Quinn, Patrick Expand Nanopub
Analysis ID
527
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
HR Stagger
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?

Comments

Text changes the entries from simultaneous to HR Stagger in m 28

8 28–33 Apgar, Jamie Expand Nanopub
Analysis ID
528
Analyst
Apgar, Jamie
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
2
Repeat, Exact or Varied?

Comments

Ct text overlaps with text of prior phrase, unlike between phrases 1 and 2.

8 31–33 Herdman, Jessica Expand Nanopub
Analysis ID
529
Analyst
Herdman, Jessica
Is Cadence?
No
8 32–33 Herdman, Jessica Expand Nanopub
Analysis ID
530
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor