The Lost Voices Project

Companion resource to Les livres de Chansons Nouvelles de Nicolas Du Chemin (1549–1568), hosted by the Centre d’Études Supérieures de la Renaissance in Tours, France

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L’enfant Amour n’a plus son arc estrangé

Certon, Pierre

DC0106

Text

Phrase Number Measures Rhyme Phrase
1 1–6 a L’enfant Amour n’a plus son arc estrange,
2 6–12 b Dont il blessoit d’hommes et coeurs et testes.
3 1–6 a Avec celuy de Diane a faict change,
4 6–12 b Dont elle alloit aux champs faire les questes.
5 13–18 b Ilz ont changé, n’en faictes plus d’enquestes.
6 18–25 c Et si on dict a quoy le cognois tu?
7 26–31 b Je voy qu’Amour chasse souvent aux bestes,
8 31–36 c Et qu’elle attaint les hommes de vertu.

Music

Observations

Phrase Measures Analyst Details Nanopublication
1 1–3 Quinn, Patrick Expand Nanopub
Analysis ID
389
Analyst
Quinn, Patrick
Is Cadence?
No

Comments

m 2 has parallel 3's in middle of 3/5

1 1–3 Apgar, Jamie Expand Nanopub
Analysis ID
392
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

Also HR Dactyl, Fauxbourdon

1 1–3 Herdman, Jessica Expand Nanopub
Analysis ID
397
Analyst
Herdman, Jessica
Is Cadence?
No
1 2–3 Apgar, Jamie Expand Nanopub
Analysis ID
393
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Phrygian
Cadence Final Tone
D
Cadence Role (Cantizans)
Contratenor
Cadence Role (Tenorizans)
Bassus
Cadence Altered
Displaced
1 3–5 Apgar, Jamie Expand Nanopub
Analysis ID
394
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Bassus
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
1 3–5 Quinn, Patrick Expand Nanopub
Analysis ID
390
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Bassus
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
1 3–6 Herdman, Jessica Expand Nanopub
Analysis ID
398
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Bassus
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
Other Counterpoint
Stretto Fuga
1 5–6 Quinn, Patrick Expand Nanopub
Analysis ID
391
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
B-flat
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
1 5–6 Apgar, Jamie Expand Nanopub
Analysis ID
395
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
B-flat
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
1 5–6 Herdman, Jessica Expand Nanopub
Analysis ID
399
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
B-flat
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
1 5–6 Apgar, Jamie Expand Nanopub
Analysis ID
396
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
B-flat
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
2 6–8 Apgar, Jamie Expand Nanopub
Analysis ID
405
Analyst
Apgar, Jamie
Is Cadence?
No
2 6–7 Herdman, Jessica Expand Nanopub
Analysis ID
409
Analyst
Herdman, Jessica
Is Cadence?
No
2 6–7 Quinn, Patrick Expand Nanopub
Analysis ID
400
Analyst
Quinn, Patrick
Is Cadence?
No
2 7–8 Quinn, Patrick Expand Nanopub
Analysis ID
401
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
B-flat
Cadence Role (Cantizans)
Tenor
Cadence Role (Tenorizans)
Bassus
Cadence Altered
Displaced
2 7–12 Herdman, Jessica Expand Nanopub
Analysis ID
410
Analyst
Herdman, Jessica
Is Cadence?
No
2 8–9 Quinn, Patrick Expand Nanopub
Analysis ID
402
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

T late, T/B have 3/5, but the Romanesca descent in S is finished before T/B 3/5 is finished, due to late T entry, so no Romanesca

2 8–12 Apgar, Jamie Expand Nanopub
Analysis ID
406
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
HR Stagger
2 9–10 Quinn, Patrick Expand Nanopub
Analysis ID
403
Analyst
Quinn, Patrick
Is Cadence?
No

Comments

also parallel 3 in Ct/T with a momoment of unison in m 9

2 10–11 Apgar, Jamie Expand Nanopub
Analysis ID
408
Analyst
Apgar, Jamie
Is Cadence?
No
Other Formulas
Romanesca
2 10–12 Herdman, Jessica Expand Nanopub
Analysis ID
411
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
2 10–12 Apgar, Jamie Expand Nanopub
Analysis ID
407
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
2 11–12 Quinn, Patrick Expand Nanopub
Analysis ID
404
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor

Comments

phrygian D cadence into m 11 with Ct/B

3 1–6 Herdman, Jessica Expand Nanopub
Analysis ID
415
Analyst
Herdman, Jessica
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
3 1–6 Apgar, Jamie Expand Nanopub
Analysis ID
413
Analyst
Apgar, Jamie
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
3 1–6 Quinn, Patrick Expand Nanopub
Analysis ID
412
Analyst
Quinn, Patrick
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
3 12–12 Herdman, Jessica Expand Nanopub
Analysis ID
414
Analyst
Herdman, Jessica
Is Cadence?
No
Text Treatment
Text Pause

Comments

All voices pause before repetition of the same musical material (i.e. phrase 3-4, which re-uses the music of phrase 1-2).

4 6–12 Herdman, Jessica Expand Nanopub
Analysis ID
418
Analyst
Herdman, Jessica
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
4 6–12 Apgar, Jamie Expand Nanopub
Analysis ID
417
Analyst
Apgar, Jamie
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
4 6–13 Quinn, Patrick Expand Nanopub
Analysis ID
416
Analyst
Quinn, Patrick
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
5 13–13 Herdman, Jessica Expand Nanopub
Analysis ID
427
Analyst
Herdman, Jessica
Is Cadence?
No
Text Treatment
Text Pause
5 13–13 Quinn, Patrick Expand Nanopub
Analysis ID
419
Analyst
Quinn, Patrick
Is Cadence?
No
Text Treatment
Text Pause

Comments

also text pause in m 12 with phrase 2 into phrase 3

5 13–14 Quinn, Patrick Expand Nanopub
Analysis ID
420
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
HR Simple
5 13–14 Herdman, Jessica Expand Nanopub
Analysis ID
428
Analyst
Herdman, Jessica
Is Cadence?
No
5 13–15 Apgar, Jamie Expand Nanopub
Analysis ID
423
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
HR Simple
5 13–18 Herdman, Jessica Expand Nanopub
Analysis ID
429
Analyst
Herdman, Jessica
Is Cadence?
No
5 15–17 Quinn, Patrick Expand Nanopub
Analysis ID
421
Analyst
Quinn, Patrick
Is Cadence?
No
5 15–18 Herdman, Jessica Expand Nanopub
Analysis ID
430
Analyst
Herdman, Jessica
Is Cadence?
No
5 16–18 Apgar, Jamie Expand Nanopub
Analysis ID
425
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
HR Stagger
5 17–18 Apgar, Jamie Expand Nanopub
Analysis ID
426
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Phrygian
Cadence Final Tone
D
Cadence Role (Cantizans)
Contratenor
Cadence Role (Tenorizans)
Bassus
Cadence Altered
Displaced
5 17–18 Herdman, Jessica Expand Nanopub
Analysis ID
431
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Phrygian
Cadence Final Tone
D
Cadence Role (Cantizans)
Contratenor
Cadence Role (Tenorizans)
Bassus
Cadence Altered
Displaced
5 17–18 Quinn, Patrick Expand Nanopub
Analysis ID
422
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Phrygian
Cadence Final Tone
D
Cadence Role (Cantizans)
Contratenor
Cadence Role (Tenorizans)
Bassus
Cadence Altered
Displaced
6 18–19 Quinn, Patrick Expand Nanopub
Analysis ID
432
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

Ct late

6 18–20 Apgar, Jamie Expand Nanopub
Analysis ID
440
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
HR Stagger
6 18–24 Herdman, Jessica Expand Nanopub
Analysis ID
445
Analyst
Herdman, Jessica
Is Cadence?
No
6 19–20 Apgar, Jamie Expand Nanopub
Analysis ID
441
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
Cadence Altered
Evaded

Comments

Tenor starts new phrase at the moment of cadence.

6 19–20 Quinn, Patrick Expand Nanopub
Analysis ID
434
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
Cadence Altered
Evaded

Comments

Bass waits to resolve and comes in on E, resolution elided with beginning of next text line

6 20–22 Quinn, Patrick Expand Nanopub
Analysis ID
433
Analyst
Quinn, Patrick
Is Cadence?
No
6 20–21 Herdman, Jessica Expand Nanopub
Analysis ID
446
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
Cadence Altered
Evaded
Text Treatment
Text Declamation

Comments

A regular cadence appears rhetorically (/grammatically, acting as a punctuation for the change of voice at the end of the statement 'on dict': (cadence).

6 20–23 Apgar, Jamie Expand Nanopub
Analysis ID
442
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Contratenor
Voice Role (@1 or @8)
Contratenor
Voice Role (Above)
Contratenor
Text Treatment
Text Overlap
6 20–23 Quinn, Patrick Expand Nanopub
Analysis ID
436
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Contratenor
Voice Role (@4)
Contratenor
Voice Role (Below)
Contratenor
6 21–21 Quinn, Patrick Expand Nanopub
Analysis ID
435
Analyst
Quinn, Patrick
Is Cadence?
No
6 23–24 Quinn, Patrick Expand Nanopub
Analysis ID
437
Analyst
Quinn, Patrick
Is Cadence?
No
6 23–25 Quinn, Patrick Expand Nanopub
Analysis ID
438
Analyst
Quinn, Patrick
Is Cadence?
No
Other Formulas
Romanesca

Comments

rhythm varies 3/5

6 23–24 Herdman, Jessica Expand Nanopub
Analysis ID
447
Analyst
Herdman, Jessica
Is Cadence?
No
6 23–25 Apgar, Jamie Expand Nanopub
Analysis ID
443
Analyst
Apgar, Jamie
Is Cadence?
No
Other Formulas
Romanesca
6 24–25 Apgar, Jamie Expand Nanopub
Analysis ID
444
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Phrygian
Cadence Final Tone
A
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
6 24–25 Herdman, Jessica Expand Nanopub
Analysis ID
448
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Phrygian
Cadence Final Tone
A
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
6 24–25 Quinn, Patrick Expand Nanopub
Analysis ID
439
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Phrygian
Cadence Final Tone
A
7 26–31 Herdman, Jessica Expand Nanopub
Analysis ID
457
Analyst
Herdman, Jessica
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
7
Repeat, Exact or Varied?
7 26–31 Herdman, Jessica Expand Nanopub
Analysis ID
455
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
HR Dance
7 26–29 Quinn, Patrick Expand Nanopub
Analysis ID
449
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
HR Dance

Comments

voices are a palindrome

7 26–29 Apgar, Jamie Expand Nanopub
Analysis ID
452
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
HR Dance
Other Formulas
Romanesca
7 27–29 Quinn, Patrick Expand Nanopub
Analysis ID
450
Analyst
Quinn, Patrick
Is Cadence?
No
Other Formulas
Romanesca

Comments

3/8 in S/B

7 29–31 Apgar, Jamie Expand Nanopub
Analysis ID
453
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
HR Stagger
7 30–31 Apgar, Jamie Expand Nanopub
Analysis ID
454
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
D
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
7 30–31 Quinn, Patrick Expand Nanopub
Analysis ID
451
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
D
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
7 30–31 Herdman, Jessica Expand Nanopub
Analysis ID
456
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
D
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
8 31–36 Herdman, Jessica Expand Nanopub
Analysis ID
467
Analyst
Herdman, Jessica
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
8
Repeat, Exact or Varied?
8 31–32 Quinn, Patrick Expand Nanopub
Analysis ID
458
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

Ct early

8 31–32 Apgar, Jamie Expand Nanopub
Analysis ID
462
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
HR Stagger
8 32–33 Quinn, Patrick Expand Nanopub
Analysis ID
459
Analyst
Quinn, Patrick
Is Cadence?
No
8 33–35 Herdman, Jessica Expand Nanopub
Analysis ID
465
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (@4)
Superius
Voice Role (Above)
Superius
8 33–35 Apgar, Jamie Expand Nanopub
Analysis ID
463
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (@4)
Superius
Voice Role (Above)
Superius
Other Formulas
Romanesca
8 33–34 Quinn, Patrick Expand Nanopub
Analysis ID
460
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (@4)
Superius
Voice Role (Above)
Superius
8 35–36 Apgar, Jamie Expand Nanopub
Analysis ID
464
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
8 35–36 Herdman, Jessica Expand Nanopub
Analysis ID
466
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
8 35–36 Quinn, Patrick Expand Nanopub
Analysis ID
461
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor