The Lost Voices Project

Companion resource to Les livres de Chansons Nouvelles de Nicolas Du Chemin (1549–1568), hosted by the Centre d’Études Supérieures de la Renaissance in Tours, France

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Cest oeil mignon, ce visage poly

Pagnier, Nicolas

DC0105

Text

Phrase Number Measures Rhyme Phrase
1 1–5 a Cest oeil mignon, ce visage poly,
2 5–9 b Ce corps bien faict, ceste tant bonne grace.
3 9–14 a Cest entretien, et devis tant joly,
4 14–21 b Las que font ilz en ceste terre basse?
5 22–29 b Que c’est qu’ilz font? chascun d’entr’eulx pourchasse
6 28–34 c Un serviteur pour servir à la belle.
7 34–38 c Mais je sçay bien qu’elle leur est cruelle.
8 38–42 d Et les chassant m’a dict qu’elle dira:
9 42–46 c Retirez vous, j’ay un amy fidele,
10 47–56 d Mieulx que vous tous luy seul me servira.

Music

Observations

Phrase Measures Analyst Details Nanopublication
1 1–5 Herdman, Jessica Expand Nanopub
Analysis ID
287
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
HR Dactyll
1 1–5 Apgar, Jamie Expand Nanopub
Analysis ID
285
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
HR Dactyll
1 1–4 Quinn, Patrick Expand Nanopub
Analysis ID
281
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
HR Dactyll
1 2–3 Quinn, Patrick Expand Nanopub
Analysis ID
284
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Phrygian
Cadence Final Tone
D
Cadence Role (Cantizans)
Contratenor
Cadence Role (Tenorizans)
Bassus
1 2–4 Quinn, Patrick Expand Nanopub
Analysis ID
282
Analyst
Quinn, Patrick
Is Cadence?
No
1 4–5 Apgar, Jamie Expand Nanopub
Analysis ID
286
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
B-flat
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
1 4–5 Quinn, Patrick Expand Nanopub
Analysis ID
283
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
B-flat
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
1 4–5 Herdman, Jessica Expand Nanopub
Analysis ID
288
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
B-flat
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
2 5–6 Quinn, Patrick Expand Nanopub
Analysis ID
289
Analyst
Quinn, Patrick
Is Cadence?
No
Other Formulas
Romanesca

Comments

Romanesca present with decent in S, but Bass parallel's S 3/5/3/3 to evade absolute Romanesca

2 5–6 Apgar, Jamie Expand Nanopub
Analysis ID
294
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
HR Simple

Comments

This is a correction to the Analysis spreadsheet, line 4880.

2 5–6 Herdman, Jessica Expand Nanopub
Analysis ID
295
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
HR Simple
2 6–9 Apgar, Jamie Expand Nanopub
Analysis ID
292
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
HR Stagger
Other Formulas
Romanesca
2 7–9 Herdman, Jessica Expand Nanopub
Analysis ID
296
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
HR Stagger
2 7–9 Quinn, Patrick Expand Nanopub
Analysis ID
290
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

3/8 in Ct/B, HR Stagger T early actually occurs beginning m 6

2 8–9 Apgar, Jamie Expand Nanopub
Analysis ID
293
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Plagal
Cadence Final Tone
B-flat
2 8–9 Quinn, Patrick Expand Nanopub
Analysis ID
291
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Plagal
Cadence Final Tone
B-flat
2 8–9 Herdman, Jessica Expand Nanopub
Analysis ID
297
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Plagal
Cadence Final Tone
B-flat
3 9–11 Herdman, Jessica Expand Nanopub
Analysis ID
307
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
3 9–11 Apgar, Jamie Expand Nanopub
Analysis ID
302
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
3 9–11 Quinn, Patrick Expand Nanopub
Analysis ID
298
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
3 10–11 Apgar, Jamie Expand Nanopub
Analysis ID
303
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
B-flat
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Contratenor
Cadence Altered
Displaced, Evaded

Comments

Occurs in the middle of a verse

3 11–13 Quinn, Patrick Expand Nanopub
Analysis ID
299
Analyst
Quinn, Patrick
Is Cadence?
No
3 11–13 Apgar, Jamie Expand Nanopub
Analysis ID
304
Analyst
Apgar, Jamie
Is Cadence?
No
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (Above)
Superius

Comments

Superius imitation of Bassus is @ 9 above.

3 11–14 Quinn, Patrick Expand Nanopub
Analysis ID
300
Analyst
Quinn, Patrick
Is Cadence?
No

Comments

T/B in 3/5/8

3 11–14 Herdman, Jessica Expand Nanopub
Analysis ID
308
Analyst
Herdman, Jessica
Is Cadence?
No
3 11–11 Apgar, Jamie Expand Nanopub
Analysis ID
305
Analyst
Apgar, Jamie
Is Cadence?
No
Text Treatment
Text Overlap
3 13–14 Quinn, Patrick Expand Nanopub
Analysis ID
301
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
3 13–14 Apgar, Jamie Expand Nanopub
Analysis ID
306
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
3 13–14 Herdman, Jessica Expand Nanopub
Analysis ID
309
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
4 14–16 Herdman, Jessica Expand Nanopub
Analysis ID
319
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Bassus
Voice Role (@1 or @8)
Tenor
Voice Role (@5)
Bassus
Voice Role (Below)
Bassus
Other Counterpoint
Stretto Fuga
4 14–16 Apgar, Jamie Expand Nanopub
Analysis ID
315
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Tenor
4 14–16 Quinn, Patrick Expand Nanopub
Analysis ID
310
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Bassus
Voice Role (@1 or @8)
Tenor
Voice Role (@5)
Bassus
Voice Role (Below)
Tenor
4 15–16 Quinn, Patrick Expand Nanopub
Analysis ID
311
Analyst
Quinn, Patrick
Is Cadence?
No
4 16–19 Apgar, Jamie Expand Nanopub
Analysis ID
317
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Contratenor
Voice Role (Dux 2)
Superius
Voice Role (Above)
Contratenor
Text Treatment
Text Overlap

Comments

Ct @ 7 above B, S @ 9 above Ct

4 18–21 Herdman, Jessica Expand Nanopub
Analysis ID
321
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Tenor
4 20–21 Apgar, Jamie Expand Nanopub
Analysis ID
318
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
B-flat
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
4 20–21 Herdman, Jessica Expand Nanopub
Analysis ID
322
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
B-flat
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
4 20–21 Quinn, Patrick Expand Nanopub
Analysis ID
314
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
B-flat
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
5 22–24 Quinn, Patrick Expand Nanopub
Analysis ID
323
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
HR Dance
Text Treatment
Text Pause

Comments

txt pause m 23

5 22–26 Quinn, Patrick Expand Nanopub
Analysis ID
325
Analyst
Quinn, Patrick
Is Cadence?
No

Comments

S/B in 3/8 w/ parallel 3 into m 23

5 22–25 Herdman, Jessica Expand Nanopub
Analysis ID
331
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
HR Dance
5 22–23 Apgar, Jamie Expand Nanopub
Analysis ID
327
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Phrygian
Cadence Final Tone
D
Cadence Role (Cantizans)
Contratenor
Cadence Role (Tenorizans)
Bassus
Cadence Altered
Displaced
Other Presentation Type
HR Dance

Comments

This is a correction to Analysis spreadsheet, line 4893.

5 24–25 Herdman, Jessica Expand Nanopub
Analysis ID
332
Analyst
Herdman, Jessica
Is Cadence?
No
5 24–25 Quinn, Patrick Expand Nanopub
Analysis ID
324
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
CAD NDLT
Cadence Final Tone
F
Cadence Role (Cantizans)
Contratenor
Cadence Role (Tenorizans)
Bassus
Cadence Altered
Displaced
Text Treatment
Text Representation

Comments

NDLT Cadence at question in text!

5 24–25 Apgar, Jamie Expand Nanopub
Analysis ID
328
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
F
Cadence Role (Cantizans)
Contratenor
Cadence Role (Tenorizans)
Bassus
Cadence Altered
Displaced
Other Presentation Type
HR Dance

Comments

This is a correction to Analysis spreadsheet, line 4894.

5 25–27 Quinn, Patrick Expand Nanopub
Analysis ID
326
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Contratenor
Voice Role (@1 or @8)
Superius
Voice Role (@5)
Contratenor
Voice Role (Above)
Superius
Voice Role (Below)
Contratenor
Other Counterpoint
Invertible Counterpoint, Stretto Fuga

Comments

Ct also has anticipatory entry.

5 25–28 Apgar, Jamie Expand Nanopub
Analysis ID
329
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Contratenor
Voice Role (@1 or @8)
Superius
Voice Role (@5)
Contratenor
Voice Role (Above)
Superius
Voice Role (Below)
Contratenor
Other Counterpoint
Stretto Fuga
5 25–28 Herdman, Jessica Expand Nanopub
Analysis ID
333
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Contratenor
Voice Role (@1 or @8)
Superius
Voice Role (@5)
Contratenor
Voice Role (Above)
Superius
Voice Role (Below)
Contratenor
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
5 27–28 Apgar, Jamie Expand Nanopub
Analysis ID
330
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
D
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Contratenor
Cadence Altered
Displaced, Evaded
Text Treatment
Text Enjambment

Comments

Ct is tenorizans but not at the end of the line of text.

5 27–28 Herdman, Jessica Expand Nanopub
Analysis ID
334
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
D
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Contratenor
Cadence Altered
Displaced
6 28–29 Apgar, Jamie Expand Nanopub
Analysis ID
340
Analyst
Apgar, Jamie
Is Cadence?
No
Text Treatment
Text Overlap
6 29–30 Apgar, Jamie Expand Nanopub
Analysis ID
341
Analyst
Apgar, Jamie
Is Cadence?
No
6 30–32 Quinn, Patrick Expand Nanopub
Analysis ID
336
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Tenor
6 30–33 Herdman, Jessica Expand Nanopub
Analysis ID
345
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Superius
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (Below)
Tenor
6 31–33 Quinn, Patrick Expand Nanopub
Analysis ID
338
Analyst
Quinn, Patrick
Is Cadence?
No
6 31–33 Apgar, Jamie Expand Nanopub
Analysis ID
343
Analyst
Apgar, Jamie
Is Cadence?
No
6 31–31 Quinn, Patrick Expand Nanopub
Analysis ID
337
Analyst
Quinn, Patrick
Is Cadence?
No
6 31–31 Apgar, Jamie Expand Nanopub
Analysis ID
342
Analyst
Apgar, Jamie
Is Cadence?
No
6 33–34 Apgar, Jamie Expand Nanopub
Analysis ID
344
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
B-flat
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Contratenor
Cadence Altered
Displaced
6 33–34 Herdman, Jessica Expand Nanopub
Analysis ID
346
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
B-flat
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Contratenor
Cadence Altered
Displaced
6 33–34 Quinn, Patrick Expand Nanopub
Analysis ID
339
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
B-flat
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Contratenor
Cadence Altered
Displaced
7 34–37 Herdman, Jessica Expand Nanopub
Analysis ID
354
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Contratenor
Voice Role (Lower Voice 1 NIM)
Bassus
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Tenor
Other Counterpoint
Stretto Fuga
7 34–35 Quinn, Patrick Expand Nanopub
Analysis ID
347
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Contratenor
Voice Role (Lower Voice 1 NIM)
Bassus
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Tenor

Comments

also parallel 3rds S/T

7 34–35 Apgar, Jamie Expand Nanopub
Analysis ID
351
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Contratenor
Voice Role (Lower Voice 1 NIM)
Bassus
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Tenor
7 35–37 Apgar, Jamie Expand Nanopub
Analysis ID
352
Analyst
Apgar, Jamie
Is Cadence?
No
7 36–37 Quinn, Patrick Expand Nanopub
Analysis ID
348
Analyst
Quinn, Patrick
Is Cadence?
No
7 37–37 Herdman, Jessica Expand Nanopub
Analysis ID
355
Analyst
Herdman, Jessica
Is Cadence?
No
7 37–37 Quinn, Patrick Expand Nanopub
Analysis ID
349
Analyst
Quinn, Patrick
Is Cadence?
No
7 37–38 Herdman, Jessica Expand Nanopub
Analysis ID
356
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Tenor
Cadence Role (Tenorizans)
Contratenor
Cadence Altered
Inverted, Incomplete
7 38–38 Quinn, Patrick Expand Nanopub
Analysis ID
350
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Tenor
Cadence Role (Tenorizans)
Contratenor
Cadence Altered
Displaced, Incomplete, Inverted

Comments

ficta for T, S and Ct no resolution

7 38–38 Apgar, Jamie Expand Nanopub
Analysis ID
353
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Tenor
Cadence Role (Tenorizans)
Contratenor
Cadence Altered
Displaced, Inverted, Incomplete
8 38–39 Quinn, Patrick Expand Nanopub
Analysis ID
357
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

T late

8 38–40 Apgar, Jamie Expand Nanopub
Analysis ID
361
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@4)
Tenor
Voice Role (Above)
Tenor
8 40–41 Quinn, Patrick Expand Nanopub
Analysis ID
358
Analyst
Quinn, Patrick
Is Cadence?
No
8 40–41 Apgar, Jamie Expand Nanopub
Analysis ID
362
Analyst
Apgar, Jamie
Is Cadence?
No
8 41–42 Apgar, Jamie Expand Nanopub
Analysis ID
364
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
D
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
8 41–42 Apgar, Jamie Expand Nanopub
Analysis ID
363
Analyst
Apgar, Jamie
Is Cadence?
No
8 41–42 Quinn, Patrick Expand Nanopub
Analysis ID
359
Analyst
Quinn, Patrick
Is Cadence?
No
8 41–42 Herdman, Jessica Expand Nanopub
Analysis ID
365
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
D
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
8 41–42 Quinn, Patrick Expand Nanopub
Analysis ID
360
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
D
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
9 43–44 Quinn, Patrick Expand Nanopub
Analysis ID
367
Analyst
Quinn, Patrick
Is Cadence?
No

Comments

S/B in 3/8

9 43–46 Herdman, Jessica Expand Nanopub
Analysis ID
371
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
HR Dance
9 43–44 Herdman, Jessica Expand Nanopub
Analysis ID
372
Analyst
Herdman, Jessica
Is Cadence?
No
9 43–46 Quinn, Patrick Expand Nanopub
Analysis ID
366
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
HR Dance
9 43–46 Apgar, Jamie Expand Nanopub
Analysis ID
369
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
HR Dance
9 45–46 Quinn, Patrick Expand Nanopub
Analysis ID
368
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor

Comments

S ficta

9 45–46 Herdman, Jessica Expand Nanopub
Analysis ID
373
Analyst
Herdman, Jessica
Is Cadence?
No
9 46–46 Herdman, Jessica Expand Nanopub
Analysis ID
374
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
9 46–46 Apgar, Jamie Expand Nanopub
Analysis ID
370
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
10 47–48 Quinn, Patrick Expand Nanopub
Analysis ID
375
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

S early

10 47–48 Apgar, Jamie Expand Nanopub
Analysis ID
382
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
HR Stagger
10 47–48 Herdman, Jessica Expand Nanopub
Analysis ID
386
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
HR Stagger
10 49–50 Herdman, Jessica Expand Nanopub
Analysis ID
387
Analyst
Herdman, Jessica
Is Cadence?
No
10 49–51 Quinn, Patrick Expand Nanopub
Analysis ID
376
Analyst
Quinn, Patrick
Is Cadence?
No

Comments

8/3/5 in S/B, 5/8/3 in T/B

10 49–50 Apgar, Jamie Expand Nanopub
Analysis ID
383
Analyst
Apgar, Jamie
Is Cadence?
No
10 51–54 Apgar, Jamie Expand Nanopub
Analysis ID
384
Analyst
Apgar, Jamie
Is Cadence?
No
10 51–53 Quinn, Patrick Expand Nanopub
Analysis ID
377
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Superius
Voice Role (Lower Voice 1 NIM)
Bassus
Voice Role (Upper Voice 2 NIM)
Contratenor
Voice Role (Lower Voice 2 NIM)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (Above)
Tenor
Voice Role (Below)
Contratenor
Text Treatment
Text Declamation

Comments

Ct @ 6 below S

10 52–53 Quinn, Patrick Expand Nanopub
Analysis ID
378
Analyst
Quinn, Patrick
Is Cadence?
No
10 52–54 Quinn, Patrick Expand Nanopub
Analysis ID
380
Analyst
Quinn, Patrick
Is Cadence?
No
10 53–53 Quinn, Patrick Expand Nanopub
Analysis ID
379
Analyst
Quinn, Patrick
Is Cadence?
No
10 54–55 Quinn, Patrick Expand Nanopub
Analysis ID
381
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
10 54–55 Apgar, Jamie Expand Nanopub
Analysis ID
385
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
10 54–55 Herdman, Jessica Expand Nanopub
Analysis ID
388
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor