The Lost Voices Project

Companion resource to Les livres de Chansons Nouvelles de Nicolas Du Chemin (1549–1568), hosted by the Centre d’Études Supérieures de la Renaissance in Tours, France

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Cherchant amour, Hymen vint apparoistre

Le Gendre, Jean

DC0104

Text

Phrase Number Measures Rhyme Phrase
1 1–4 a Cherchant Amour, Hymen vint apparoistre
2 4–10 b Devant mes yeulx avecques chasteté.
3 1–4 a Disant amy, pour donner à cognoistre
4 4–10 b De vraye amour la seure fermeté.
5 11–15 b En Cupido ne te tiens arresté.
6 14–20 c Une sans plus de loyauté munie
7 21–25 b Aymer tu doibs de chaste volunté.
8 25–32 c Pour à jamais mener heureuse vie.

Music

Observations

Phrase Measures Analyst Details Nanopublication
1 1–2 Apgar, Jamie Expand Nanopub
Analysis ID
216
Analyst
Apgar, Jamie
Is Cadence?
No
1 1–4 Apgar, Jamie Expand Nanopub
Analysis ID
222
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
HR Dactyll

Comments

This is a correction to Analysis spreadsheet, line 1836.

1 1–2 Quinn, Patrick Expand Nanopub
Analysis ID
219
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
HR Dactyll

Comments

dactyl 4+7, S/B in 3/8

1 1–2 Herdman, Jessica Expand Nanopub
Analysis ID
223
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
HR Dactyll
1 2–4 Apgar, Jamie Expand Nanopub
Analysis ID
217
Analyst
Apgar, Jamie
Is Cadence?
No
1 2–4 Quinn, Patrick Expand Nanopub
Analysis ID
220
Analyst
Quinn, Patrick
Is Cadence?
No

Comments

measure 3 has one parallel 3 in T/B

1 3–4 Apgar, Jamie Expand Nanopub
Analysis ID
218
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
B-flat
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
1 3–4 Herdman, Jessica Expand Nanopub
Analysis ID
224
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
B-flat
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
1 3–4 Quinn, Patrick Expand Nanopub
Analysis ID
221
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
B-flat
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
2 4–7 Apgar, Jamie Expand Nanopub
Analysis ID
225
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Voice Role (@1 or @8)
Tenor
Other Formulas
Romanesca
Other Counterpoint
Stretto Fuga
2 4–6 Quinn, Patrick Expand Nanopub
Analysis ID
229
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Tenor
Text Treatment
Text Overlap
2 4–10 Herdman, Jessica Expand Nanopub
Analysis ID
239
Analyst
Herdman, Jessica
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
2 5–6 Quinn, Patrick Expand Nanopub
Analysis ID
230
Analyst
Quinn, Patrick
Is Cadence?
No

Comments

S/T in 3/8

2 6–7 Quinn, Patrick Expand Nanopub
Analysis ID
231
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Superius
Voice Role (Lower Voice 1 NIM)
Bassus
Voice Role (Upper Voice 2 NIM)
Contratenor
Voice Role (Lower Voice 2 NIM)
Tenor

Comments

S/T in 3/8

2 6–8 Herdman, Jessica Expand Nanopub
Analysis ID
236
Analyst
Herdman, Jessica
Is Cadence?
No
2 7–8 Quinn, Patrick Expand Nanopub
Analysis ID
232
Analyst
Quinn, Patrick
Is Cadence?
No
2 7–8 Apgar, Jamie Expand Nanopub
Analysis ID
226
Analyst
Apgar, Jamie
Is Cadence?
No
2 8–9 Quinn, Patrick Expand Nanopub
Analysis ID
234
Analyst
Quinn, Patrick
Is Cadence?
No
Other Formulas
Romanesca
2 8–10 Herdman, Jessica Expand Nanopub
Analysis ID
237
Analyst
Herdman, Jessica
Is Cadence?
No
2 8–9 Apgar, Jamie Expand Nanopub
Analysis ID
227
Analyst
Apgar, Jamie
Is Cadence?
No
Other Formulas
Romanesca
2 9–10 Herdman, Jessica Expand Nanopub
Analysis ID
238
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
2 9–10 Quinn, Patrick Expand Nanopub
Analysis ID
233
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor

Comments

measure 10 is half as long as a regular measure

2 9–10 Apgar, Jamie Expand Nanopub
Analysis ID
228
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
3 1–4 Herdman, Jessica Expand Nanopub
Analysis ID
242
Analyst
Herdman, Jessica
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
3 1–6 Quinn, Patrick Expand Nanopub
Analysis ID
241
Analyst
Quinn, Patrick
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
3 1–4 Apgar, Jamie Expand Nanopub
Analysis ID
240
Analyst
Apgar, Jamie
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
4 4–10 Quinn, Patrick Expand Nanopub
Analysis ID
244
Analyst
Quinn, Patrick
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
4 4–10 Apgar, Jamie Expand Nanopub
Analysis ID
243
Analyst
Apgar, Jamie
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
5 11–12 Quinn, Patrick Expand Nanopub
Analysis ID
249
Analyst
Quinn, Patrick
Is Cadence?
No

Comments

S/B in 3/8, has all the qualities of a romanesca (3/5, parallel 6, 3/8), but by definition, isn't romanesca

5 11–12 Apgar, Jamie Expand Nanopub
Analysis ID
245
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
HR Simple
5 11–12 Herdman, Jessica Expand Nanopub
Analysis ID
255
Analyst
Herdman, Jessica
Is Cadence?
No
5 11–11 Herdman, Jessica Expand Nanopub
Analysis ID
254
Analyst
Herdman, Jessica
Is Cadence?
No
Text Treatment
Text Pause

Comments

All voices pause before moving onto new musical material (i.e. after the repeat of the material from phrases 1-2 in 3-4).

5 12–14 Herdman, Jessica Expand Nanopub
Analysis ID
256
Analyst
Herdman, Jessica
Is Cadence?
No
5 12–13 Quinn, Patrick Expand Nanopub
Analysis ID
250
Analyst
Quinn, Patrick
Is Cadence?
No
5 12–13 Apgar, Jamie Expand Nanopub
Analysis ID
246
Analyst
Apgar, Jamie
Is Cadence?
No
5 14–15 Apgar, Jamie Expand Nanopub
Analysis ID
248
Analyst
Apgar, Jamie
Is Cadence?
No
5 14–15 Herdman, Jessica Expand Nanopub
Analysis ID
257
Analyst
Herdman, Jessica
Is Cadence?
No
Text Treatment
Text Overlap
5 14–15 Herdman, Jessica Expand Nanopub
Analysis ID
258
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
D
Cadence Role (Cantizans)
Contratenor
Cadence Role (Tenorizans)
Superius
Cadence Altered
Displaced, Inverted, Evaded
5 14–15 Apgar, Jamie Expand Nanopub
Analysis ID
247
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
D
Cadence Role (Cantizans)
Contratenor
Cadence Role (Tenorizans)
Superius
Cadence Altered
Displaced, Inverted, Evaded
5 14–14 Quinn, Patrick Expand Nanopub
Analysis ID
251
Analyst
Quinn, Patrick
Is Cadence?
No
5 16–17 Quinn, Patrick Expand Nanopub
Analysis ID
252
Analyst
Quinn, Patrick
Is Cadence?
No

Comments

also has 3/5 in S/Ct

5 17–18 Quinn, Patrick Expand Nanopub
Analysis ID
253
Analyst
Quinn, Patrick
Is Cadence?
No
6 14–15 Quinn, Patrick Expand Nanopub
Analysis ID
264
Analyst
Quinn, Patrick
Is Cadence?
No
Text Treatment
Text Overlap

Comments

tenor early

6 14–17 Quinn, Patrick Expand Nanopub
Analysis ID
265
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Upper Voice 1 NIM)
Tenor
Voice Role (Lower Voice 1 NIM)
Bassus
6 14–16 Apgar, Jamie Expand Nanopub
Analysis ID
259
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Bassus
Voice Role (@5)
Bassus
Voice Role (Below)
Bassus
Text Treatment
Text Overlap
6 15–17 Herdman, Jessica Expand Nanopub
Analysis ID
269
Analyst
Herdman, Jessica
Is Cadence?
No
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (@4)
Superius
Voice Role (Above)
Superius
6 15–17 Quinn, Patrick Expand Nanopub
Analysis ID
266
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
6 15–17 Apgar, Jamie Expand Nanopub
Analysis ID
260
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Tenor
Voice Role (@4)
Superius
Voice Role (Above)
Superius
Voice Role (Below)
Tenor

Comments

Tenor last voice in PEn imitates @7 below Superius.

6 16–20 Apgar, Jamie Expand Nanopub
Analysis ID
261
Analyst
Apgar, Jamie
Is Cadence?
No
6 16–20 Apgar, Jamie Expand Nanopub
Analysis ID
262
Analyst
Apgar, Jamie
Is Cadence?
No

Comments

Note this occurs with two other ACC 3rds (S/B) and 5/3 (S/Ct) also in mm. 16-20, but the radio buttons prevented me from tagging together.

6 17–19 Herdman, Jessica Expand Nanopub
Analysis ID
270
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
HR Simple
6 18–20 Quinn, Patrick Expand Nanopub
Analysis ID
268
Analyst
Quinn, Patrick
Is Cadence?
No
6 19–20 Apgar, Jamie Expand Nanopub
Analysis ID
263
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Phrygian
Cadence Final Tone
D
Cadence Role (Cantizans)
Contratenor
Cadence Role (Tenorizans)
Bassus
Cadence Altered
Displaced
6 19–20 Quinn, Patrick Expand Nanopub
Analysis ID
267
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Phrygian
Cadence Final Tone
D
Cadence Role (Cantizans)
Contratenor
Cadence Role (Tenorizans)
Bassus
Cadence Altered
Displaced
6 20–21 Herdman, Jessica Expand Nanopub
Analysis ID
271
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Phrygian
Cadence Final Tone
D
Cadence Role (Cantizans)
Contratenor
Cadence Role (Tenorizans)
Bassus
Cadence Altered
Displaced
7 21–25 Herdman, Jessica Expand Nanopub
Analysis ID
275
Analyst
Herdman, Jessica
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
7 21–25 Apgar, Jamie Expand Nanopub
Analysis ID
272
Analyst
Apgar, Jamie
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
1
Repeat, Exact or Varied?
7 21–21 Herdman, Jessica Expand Nanopub
Analysis ID
274
Analyst
Herdman, Jessica
Is Cadence?
No
Text Treatment
Text Pause

Comments

All voices pause before returning to opening musical material (from phrases 1-2 and 3-4).

7 21–25 Herdman, Jessica Expand Nanopub
Analysis ID
276
Analyst
Herdman, Jessica
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
7
Repeat, Exact or Varied?
7 21–26 Quinn, Patrick Expand Nanopub
Analysis ID
273
Analyst
Quinn, Patrick
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
8 25–31 Herdman, Jessica Expand Nanopub
Analysis ID
280
Analyst
Herdman, Jessica
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
8
Repeat, Exact or Varied?
8 25–31 Herdman, Jessica Expand Nanopub
Analysis ID
279
Analyst
Herdman, Jessica
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
8 25–31 Apgar, Jamie Expand Nanopub
Analysis ID
277
Analyst
Apgar, Jamie
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
2
Repeat, Exact or Varied?

Comments

The repetition is almost exact. There is a very slight difference in the two tenors: compare m.9, minim 2, to m.29, minim 4.

8 30–31 Quinn, Patrick Expand Nanopub
Analysis ID
278
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
Repeat, Exact or Varied?