The Lost Voices Project

Companion resource to Les livres de Chansons Nouvelles de Nicolas Du Chemin (1549–1568), hosted by the Centre d’Études Supérieures de la Renaissance in Tours, France

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O combien je suis fortuné

Maillard, Jean

DC0103

Text

Phrase Number Measures Rhyme Phrase
1 1–4 a O combien je suis fortuné,
2 4–8 b De servir maistresse si belle.
3 1–4 a Pourquoy ne m’est predestiné
4 4–8 b Le bien que son mary a d’elle.
5 9–12 b Ell’est doulce et luy rebelle.
6 12–14 c N’est ce pas grande cruauté,
7 14–18 b Qu’elle vit en peine telle,
8 18–27 c Sans secourir ma loyauté?

Music

Observations

Phrase Measures Analyst Details Nanopublication
1 1–2 Quinn, Patrick Expand Nanopub
Analysis ID
177
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
HR Simple
Text Treatment
Text Declamation
1 2–2 Quinn, Patrick Expand Nanopub
Analysis ID
178
Analyst
Quinn, Patrick
Is Cadence?
No
1 2–4 Quinn, Patrick Expand Nanopub
Analysis ID
179
Analyst
Quinn, Patrick
Is Cadence?
No
1 2–3 Apgar, Jamie Expand Nanopub
Analysis ID
181
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
HR Dactyll
1 3–4 Apgar, Jamie Expand Nanopub
Analysis ID
182
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
D
Cadence Role (Cantizans)
Tenor
Cadence Role (Tenorizans)
Bassus
Cadence Altered
Displaced
1 3–4 Quinn, Patrick Expand Nanopub
Analysis ID
180
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
None
Cadence Role (Cantizans)
Tenor
Cadence Role (Tenorizans)
Bassus
Cadence Altered
Displaced, Incomplete

Comments

No LT in T

2 4–5 Quinn, Patrick Expand Nanopub
Analysis ID
183
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
HR Stagger

Comments

Ct early

2 4–6 Quinn, Patrick Expand Nanopub
Analysis ID
184
Analyst
Quinn, Patrick
Is Cadence?
No
2 5–7 Apgar, Jamie Expand Nanopub
Analysis ID
187
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
HR Stagger
2 6–7 Quinn, Patrick Expand Nanopub
Analysis ID
185
Analyst
Quinn, Patrick
Is Cadence?
No

Comments

T/B have consecutive octaves

2 7–8 Quinn, Patrick Expand Nanopub
Analysis ID
186
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor

Comments

Previous Measure 4 cadence on D

2 7–8 Apgar, Jamie Expand Nanopub
Analysis ID
188
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
3 1–4 Quinn, Patrick Expand Nanopub
Analysis ID
189
Analyst
Quinn, Patrick
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
3 2–5 Apgar, Jamie Expand Nanopub
Analysis ID
190
Analyst
Apgar, Jamie
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
4 4–8 Quinn, Patrick Expand Nanopub
Analysis ID
191
Analyst
Quinn, Patrick
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
4 5–9 Apgar, Jamie Expand Nanopub
Analysis ID
192
Analyst
Apgar, Jamie
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
5 9–9 Quinn, Patrick Expand Nanopub
Analysis ID
193
Analyst
Quinn, Patrick
Is Cadence?
No
Text Treatment
Text Pause
5 9–11 Quinn, Patrick Expand Nanopub
Analysis ID
194
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
HR Simple
Other Formulas
Romanesca

Comments

3/8 in S/B

5 9–11 Apgar, Jamie Expand Nanopub
Analysis ID
197
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
HR Dance
Other Formulas
Romanesca
5 10–12 Quinn, Patrick Expand Nanopub
Analysis ID
195
Analyst
Quinn, Patrick
Is Cadence?
No
5 11–12 Apgar, Jamie Expand Nanopub
Analysis ID
198
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
B-flat
Cadence Role (Cantizans)
Tenor
Cadence Role (Tenorizans)
Bassus
Cadence Altered
Displaced
5 11–12 Quinn, Patrick Expand Nanopub
Analysis ID
196
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
B-flat
Cadence Role (Cantizans)
Tenor
Cadence Role (Tenorizans)
Bassus
Cadence Altered
Displaced
6 13–15 Apgar, Jamie Expand Nanopub
Analysis ID
200
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Contratenor
Voice Role (Lower Voice 1 NIM)
Tenor
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Bassus
6 13–14 Apgar, Jamie Expand Nanopub
Analysis ID
201
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
B-flat
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
6 13–13 Quinn, Patrick Expand Nanopub
Analysis ID
199
Analyst
Quinn, Patrick
Is Cadence?
No

Comments

Consecutive 5ths Ct/B, no sign of parallel thirds or 3/5, which could be from the part writing issues

7 14–18 Quinn, Patrick Expand Nanopub
Analysis ID
202
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
HR Stagger
Repeat Kind
Direct Repeat
Earlier Phrase
5
Repeat, Exact or Varied?

Comments

Ct stagger late, which repeats phrase 5 with filled in passing tones

7 14–16 Quinn, Patrick Expand Nanopub
Analysis ID
203
Analyst
Quinn, Patrick
Is Cadence?
No
Other Formulas
Romanesca

Comments

S/B in 3/8

7 15–17 Apgar, Jamie Expand Nanopub
Analysis ID
205
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
HR Stagger
Other Formulas
Romanesca
7 16–18 Apgar, Jamie Expand Nanopub
Analysis ID
206
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
B-flat
Cadence Role (Cantizans)
Tenor
Cadence Role (Tenorizans)
Bassus
Cadence Altered
Displaced
7 21–24 Quinn, Patrick Expand Nanopub
Analysis ID
204
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
HR Stagger
Earlier Phrase
7
Repeat, Exact or Varied?

Comments

Ct staggers early instead of late on repeat, shifting text to another note, but all music is exact repeat

7 22–25 Apgar, Jamie Expand Nanopub
Analysis ID
207
Analyst
Apgar, Jamie
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
7
Repeat, Exact or Varied?

Comments

Phrase 7 music and text being repeated. Slight variation in text underlay.

8 17–18 Quinn, Patrick Expand Nanopub
Analysis ID
208
Analyst
Quinn, Patrick
Is Cadence?
No
Text Treatment
Text Overlap

Comments

Ct early

8 18–19 Quinn, Patrick Expand Nanopub
Analysis ID
209
Analyst
Quinn, Patrick
Is Cadence?
No

Comments

S/B in 3/8, consecutive 5ths Ct/B

8 18–21 Apgar, Jamie Expand Nanopub
Analysis ID
213
Analyst
Apgar, Jamie
Is Cadence?
No
8 19–20 Quinn, Patrick Expand Nanopub
Analysis ID
210
Analyst
Quinn, Patrick
Is Cadence?
No
8 20–21 Quinn, Patrick Expand Nanopub
Analysis ID
211
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
Cadence Altered
Incomplete

Comments

No LT, No Bass

8 21–22 Apgar, Jamie Expand Nanopub
Analysis ID
214
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
8 25–28 Apgar, Jamie Expand Nanopub
Analysis ID
215
Analyst
Apgar, Jamie
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
8
Repeat, Exact or Varied?

Comments

Phrase 8 text and music being repeated. Slight variation in text underlay around the final cadence.

8 27–27 Quinn, Patrick Expand Nanopub
Analysis ID
212
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
Repeat Kind
Direct Repeat
Earlier Phrase
8
Repeat, Exact or Varied?

Comments

Bass gives final root instead of incomplete