The Lost Voices Project

Companion resource to Les livres de Chansons Nouvelles de Nicolas Du Chemin (1549–1568), hosted by the Centre d’Études Supérieures de la Renaissance in Tours, France

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Venons au poinct, ma dame s’il vous plaist

Regnes, Nicole

DC0102

Text

Phrase Number Measures Rhyme Phrase
1 1–6 a Venons au poinct madame s’il vous plaist,
2 5–10 b Il en est temps sans plus tant marchander.
3 10–14 b Le doy je prendre ou le vous demander?
4 14–18 a Dictes l’ouy, car le non me desplait.
5 18–22 c Or faictes donc s’il vous plaist mon bel amy
6 21–29 d L’ouy valoir et le non se retire.
7 29–37 d Vous souffrez mal, et moy un grand martyre.
8 38–43 c C’est couardise qui nous sert d’ennemy.

Music

Observations

Phrase Measures Analyst Details Nanopublication
1 1–2 Herdman, Jessica Expand Nanopub
Analysis ID
87
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
HR Dactyll
Other Formulas
Romanesca
1 1–1 Herdman, Jessica Expand Nanopub
Analysis ID
82
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
HR Dactyll
1 1–3 Apgar, Jamie Expand Nanopub
Analysis ID
79
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
HR Dactyll
1 1–2 Quinn, Patrick Expand Nanopub
Analysis ID
76
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
HR Dactyll
Other Formulas
Romanesca
1 1–6 Herdman, Jessica Expand Nanopub
Analysis ID
83
Analyst
Herdman, Jessica
Is Cadence?
No
1 1–1 Herdman, Jessica Expand Nanopub
Analysis ID
85
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
HR Dactyll
1 2–3 Quinn, Patrick Expand Nanopub
Analysis ID
77
Analyst
Quinn, Patrick
Is Cadence?
No
1 3–5 Apgar, Jamie Expand Nanopub
Analysis ID
80
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
HR Stagger
1 4–5 Quinn, Patrick Expand Nanopub
Analysis ID
78
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
D
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
1 4–5 Herdman, Jessica Expand Nanopub
Analysis ID
86
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
D
Cadence Role (Cantizans)
Tenor
Cadence Role (Tenorizans)
Bassus
Cadence Altered
Displaced
1 5–6 Apgar, Jamie Expand Nanopub
Analysis ID
81
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
CadInCad
Cadence Final Tone
D
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
1 5–6 Herdman, Jessica Expand Nanopub
Analysis ID
84
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
D
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
2 5–7 Herdman, Jessica Expand Nanopub
Analysis ID
95
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (@5)
Superius
Voice Role (Above)
Superius
Voice Role (Below)
Tenor
Other Counterpoint
Invertible Counterpoint
2 5–9 Herdman, Jessica Expand Nanopub
Analysis ID
98
Analyst
Herdman, Jessica
Is Cadence?
No
2 5–7 Quinn, Patrick Expand Nanopub
Analysis ID
88
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (@5)
Superius
Voice Role (Above)
Superius
Voice Role (Below)
Tenor
Other Counterpoint
Invertible Counterpoint
2 5–7 Herdman, Jessica Expand Nanopub
Analysis ID
97
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
HR Simple
2 5–7 Apgar, Jamie Expand Nanopub
Analysis ID
92
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Tenor
Voice Role (@1 or @8)
Tenor
Voice Role (@5)
Superius
Voice Role (Above)
Superius
Voice Role (Below)
Tenor
2 7–9 Quinn, Patrick Expand Nanopub
Analysis ID
90
Analyst
Quinn, Patrick
Is Cadence?
No

Comments

S/B in 3/8 one tone away from 4 notes descending in Romanesca pattern

2 7–7 Quinn, Patrick Expand Nanopub
Analysis ID
89
Analyst
Quinn, Patrick
Is Cadence?
No
2 8–9 Herdman, Jessica Expand Nanopub
Analysis ID
96
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
A
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
2 8–9 Herdman, Jessica Expand Nanopub
Analysis ID
99
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
A
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
2 8–9 Apgar, Jamie Expand Nanopub
Analysis ID
94
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
A
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
2 8–9 Quinn, Patrick Expand Nanopub
Analysis ID
91
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
A
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
2 8–9 Apgar, Jamie Expand Nanopub
Analysis ID
93
Analyst
Apgar, Jamie
Is Cadence?
No
Other Formulas
Romanesca
3 1–4 Herdman, Jessica Expand Nanopub
Analysis ID
110
Analyst
Herdman, Jessica
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
1
Repeat, Exact or Varied?
3 9–10 Apgar, Jamie Expand Nanopub
Analysis ID
105
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Tenor
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
Voice Role (Below)
Tenor

Comments

T imitates S at 8 (below).

3 9–10 Quinn, Patrick Expand Nanopub
Analysis ID
100
Analyst
Quinn, Patrick
Is Cadence?
No
3 9–10 Herdman, Jessica Expand Nanopub
Analysis ID
108
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
Other Counterpoint
Stretto fuga
3 9–11 Quinn, Patrick Expand Nanopub
Analysis ID
101
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Bassus
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Tenor
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
Voice Role (Below)
Tenor
Other Counterpoint
Invertible Counterpoint, Stretto Fuga

Comments

Tenor is an octave below the soprano

3 10–12 Quinn, Patrick Expand Nanopub
Analysis ID
103
Analyst
Quinn, Patrick
Is Cadence?
No

Comments

S/B in 3/8

3 10–11 Quinn, Patrick Expand Nanopub
Analysis ID
102
Analyst
Quinn, Patrick
Is Cadence?
No
3 12–13 Apgar, Jamie Expand Nanopub
Analysis ID
107
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
D
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
3 12–13 Quinn, Patrick Expand Nanopub
Analysis ID
104
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
D
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
3 12–13 Apgar, Jamie Expand Nanopub
Analysis ID
106
Analyst
Apgar, Jamie
Is Cadence?
No
Other Formulas
Romanesca
3 13–14 Herdman, Jessica Expand Nanopub
Analysis ID
109
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
D
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
4 5–9 Herdman, Jessica Expand Nanopub
Analysis ID
119
Analyst
Herdman, Jessica
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
2
Repeat, Exact or Varied?
4 14–17 Apgar, Jamie Expand Nanopub
Analysis ID
116
Analyst
Apgar, Jamie
Is Cadence?
No
Other Formulas
Romanesca
4 15–16 Quinn, Patrick Expand Nanopub
Analysis ID
113
Analyst
Quinn, Patrick
Is Cadence?
No
Other Formulas
Romanesca
4 16–17 Quinn, Patrick Expand Nanopub
Analysis ID
114
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
F
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
4 16–17 Herdman, Jessica Expand Nanopub
Analysis ID
118
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
F
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
4 16–17 Apgar, Jamie Expand Nanopub
Analysis ID
117
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
F
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
5 10–10 Herdman, Jessica Expand Nanopub
Analysis ID
130
Analyst
Herdman, Jessica
Is Cadence?
No
Text Treatment
Text Pause

Comments

All voices pause before moving onto new musical material (i.e. after phrases 3-4, which re-use the music of 1-2).

5 10–13 Herdman, Jessica Expand Nanopub
Analysis ID
131
Analyst
Herdman, Jessica
Is Cadence?
No
5 17–22 Quinn, Patrick Expand Nanopub
Analysis ID
120
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
ID
Voice Role (Upper Voice 1 NIM)
Tenor
Voice Role (Lower Voice 1 NIM)
Bassus
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Contratenor

Comments

Measures 17-20 have parallel 3rds in Tenor and Bass, but don't stay parallel as long as S/Ct

5 18–20 Herdman, Jessica Expand Nanopub
Analysis ID
127
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Tenor
Voice Role (Lower Voice 1 NIM)
Bassus
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Contratenor
5 18–22 Apgar, Jamie Expand Nanopub
Analysis ID
125
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Tenor
Voice Role (Lower Voice 1 NIM)
Bassus
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Contratenor

Comments

2nd pair of NIM, S/Ct, also in 3rds.

5 19–20 Herdman, Jessica Expand Nanopub
Analysis ID
128
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Superius
Voice Role (Lower Voice 1 NIM)
Contratenor
Voice Role (Upper Voice 2 NIM)
Tenor
Voice Role (Lower Voice 2 NIM)
Bassus
5 20–21 Herdman, Jessica Expand Nanopub
Analysis ID
129
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
F
Cadence Role (Cantizans)
Tenor
Cadence Role (Tenorizans)
Superius
Cadence Altered
Inverted
5 20–21 Quinn, Patrick Expand Nanopub
Analysis ID
122
Analyst
Quinn, Patrick
Is Cadence?
No

Comments

Ct/B in 3/8

5 20–20 Quinn, Patrick Expand Nanopub
Analysis ID
121
Analyst
Quinn, Patrick
Is Cadence?
No
5 21–22 Quinn, Patrick Expand Nanopub
Analysis ID
123
Analyst
Quinn, Patrick
Is Cadence?
No
Text Treatment
Text Enjambment

Comments

S and Ct have parallel 6ths on different lines of text

5 22–23 Apgar, Jamie Expand Nanopub
Analysis ID
126
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
NoCadence
Cadence Final Tone
None
Text Treatment
Text Enjambment
6 14–15 Herdman, Jessica Expand Nanopub
Analysis ID
151
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
HR Simple
6 21–22 Quinn, Patrick Expand Nanopub
Analysis ID
133
Analyst
Quinn, Patrick
Is Cadence?
No
Text Treatment
Text Overlap

Comments

S/B in 3/8

6 22–25 Apgar, Jamie Expand Nanopub
Analysis ID
142
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Bassus
Voice Role (Comes 2)
Tenor
Voice Role (@1 or @8)
Superius
Voice Role (@5)
Bassus
Voice Role (Above)
Superius
Voice Role (Below)
Bassus
6 22–25 Herdman, Jessica Expand Nanopub
Analysis ID
147
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Bassus
Voice Role (Comes 2)
Contratenor
Voice Role (@5)
Superius
Voice Role (Above)
Superius
Voice Role (Below)
Bassus
Other Counterpoint
Invertible Counterpoint, Stretto Fuga
6 22–24 Quinn, Patrick Expand Nanopub
Analysis ID
135
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
PEn
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Bassus
Voice Role (Comes 2)
Tenor
Voice Role (@1 or @8)
Superius
Voice Role (@5)
Bassus
Voice Role (Above)
Superius
Voice Role (Below)
Bassus
Other Counterpoint
Stretto Fuga, Invertible Counterpoint
6 22–23 Herdman, Jessica Expand Nanopub
Analysis ID
146
Analyst
Herdman, Jessica
Is Cadence?
No
Text Treatment
Text Overlap
6 23–27 Quinn, Patrick Expand Nanopub
Analysis ID
137
Analyst
Quinn, Patrick
Is Cadence?
No

Comments

moment of parallel 3rds during 3/8 in Ct/B

6 23–24 Quinn, Patrick Expand Nanopub
Analysis ID
136
Analyst
Quinn, Patrick
Is Cadence?
No
6 24–25 Apgar, Jamie Expand Nanopub
Analysis ID
143
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
Cadence Altered
Evaded

Comments

Bassus E is the evasion.

6 24–27 Quinn, Patrick Expand Nanopub
Analysis ID
138
Analyst
Quinn, Patrick
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Superius
Voice Role (Above)
Superius
Voice Role (Below)
Tenor

Comments

T enters at 6th below Ct and S enters 6th above T

6 25–26 Herdman, Jessica Expand Nanopub
Analysis ID
149
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
G
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
Cadence Altered
Evaded
6 25–27 Quinn, Patrick Expand Nanopub
Analysis ID
139
Analyst
Quinn, Patrick
Is Cadence?
No
6 25–28 Apgar, Jamie Expand Nanopub
Analysis ID
144
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Contratenor
Voice Role (Comes 1)
Tenor
Voice Role (Dux 2)
Superius
Voice Role (@5)
Tenor
Voice Role (Above)
Superius
Voice Role (Below)
Tenor
Other Counterpoint
Stretto Fuga

Comments

S imitates 6 above.

6 26–29 Herdman, Jessica Expand Nanopub
Analysis ID
148
Analyst
Herdman, Jessica
Is Cadence?
No
6 26–27 Quinn, Patrick Expand Nanopub
Analysis ID
140
Analyst
Quinn, Patrick
Is Cadence?
No
6 27–28 Herdman, Jessica Expand Nanopub
Analysis ID
152
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
D
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
6 27–28 Herdman, Jessica Expand Nanopub
Analysis ID
150
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
D
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
6 27–28 Apgar, Jamie Expand Nanopub
Analysis ID
145
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
D
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
6 27–28 Quinn, Patrick Expand Nanopub
Analysis ID
141
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
D
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
7 15–19 Herdman, Jessica Expand Nanopub
Analysis ID
166
Analyst
Herdman, Jessica
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
5
Repeat, Exact or Varied?
7 22–25 Herdman, Jessica Expand Nanopub
Analysis ID
167
Analyst
Herdman, Jessica
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
7
Repeat, Exact or Varied?
7 28–29 Quinn, Patrick Expand Nanopub
Analysis ID
153
Analyst
Quinn, Patrick
Is Cadence?
No
7 28–30 Apgar, Jamie Expand Nanopub
Analysis ID
159
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
PEn Tonal
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Superius
Voice Role (Dux 2)
Bassus
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
Voice Role (Below)
Bassus

Comments

B imitates at 3 below.

7 29–31 Herdman, Jessica Expand Nanopub
Analysis ID
163
Analyst
Herdman, Jessica
Is Cadence?
No
Other Presentation Type
NIM
Voice Role (Upper Voice 1 NIM)
Contratenor
Voice Role (Lower Voice 1 NIM)
Tenor
Voice Role (Upper Voice 2 NIM)
Superius
Voice Role (Lower Voice 2 NIM)
Bassus
Voice Role (@1 or @8)
Superius
Voice Role (Above)
Superius
7 30–31 Quinn, Patrick Expand Nanopub
Analysis ID
155
Analyst
Quinn, Patrick
Is Cadence?
No
7 33–34 Herdman, Jessica Expand Nanopub
Analysis ID
165
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
A
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
7 33–34 Apgar, Jamie Expand Nanopub
Analysis ID
160
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
A
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
Cadence Altered
Incomplete, Evaded

Comments

Ct F is the evasion and T already cadenced on a B; T and B both drop out.

7 33–34 Quinn, Patrick Expand Nanopub
Analysis ID
157
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
A
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
7 34–37 Herdman, Jessica Expand Nanopub
Analysis ID
164
Analyst
Herdman, Jessica
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
7
Repeat, Exact or Varied?

Comments

Partial repetition of the end of the phrase (mm 31-34), but altered in Ct, T and B to a shortened version.

7 34–36 Apgar, Jamie Expand Nanopub
Analysis ID
161
Analyst
Apgar, Jamie
Is Cadence?
No
Other Presentation Type
FI
Voice Role (Dux 1)
Tenor
Voice Role (Comes 1)
Contratenor
Voice Role (Above)
Contratenor

Comments

Ct nominally at 7 above but really the first note motivically could have been D, it's an altered imitation that is structurally at 4 above.

7 35–36 Quinn, Patrick Expand Nanopub
Analysis ID
158
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
A
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
7 36–37 Apgar, Jamie Expand Nanopub
Analysis ID
162
Analyst
Apgar, Jamie
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
A
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
8 19–22 Herdman, Jessica Expand Nanopub
Analysis ID
175
Analyst
Herdman, Jessica
Is Cadence?
No
Repeat Kind
Direct Repeat
Earlier Phrase
6
Repeat, Exact or Varied?
8 26–28 Herdman, Jessica Expand Nanopub
Analysis ID
176
Analyst
Herdman, Jessica
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
8
Repeat, Exact or Varied?
8 37–38 Quinn, Patrick Expand Nanopub
Analysis ID
168
Analyst
Quinn, Patrick
Is Cadence?
No
Other Formulas
Romanesca
Text Treatment
Text Declamation

Comments

S/B in 3/8

8 38–42 Herdman, Jessica Expand Nanopub
Analysis ID
172
Analyst
Herdman, Jessica
Is Cadence?
No
8 38–42 Apgar, Jamie Expand Nanopub
Analysis ID
171
Analyst
Apgar, Jamie
Is Cadence?
No
Repeat Kind
Da Capo
Earlier Phrase
1
Repeat, Exact or Varied?

Comments

Slight variation on phrase attack; staggered entry by S/T instead of all together as in Phrase 1.

8 38–42 Herdman, Jessica Expand Nanopub
Analysis ID
174
Analyst
Herdman, Jessica
Is Cadence?
No
Repeat Kind
Final Repeat
Earlier Phrase
8
Repeat, Exact or Varied?
8 39–40 Quinn, Patrick Expand Nanopub
Analysis ID
169
Analyst
Quinn, Patrick
Is Cadence?
No
8 40–41 Quinn, Patrick Expand Nanopub
Analysis ID
170
Analyst
Quinn, Patrick
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
D
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor
8 40–41 Herdman, Jessica Expand Nanopub
Analysis ID
173
Analyst
Herdman, Jessica
Is Cadence?
Yes
Cadence Kind
Authentic
Cadence Final Tone
D
Cadence Role (Cantizans)
Superius
Cadence Role (Tenorizans)
Tenor